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Archive for August, 2009

Major Jazz Guitar Scales

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There seems to be an endless array of scales to learn for jazz
guitar. What are the major jazz guitar scales to learn, if we can
define the major jazz guitar scales that are commonly used, we’d
reduce our workload significantly.

Jazz scales are used by improvisers to convey complex harmonies
common in Jazz. The jazz guitarist must start with the basic
scales, too often the guitarists dives headlong into the more
advanced scales without having a good working knowledge of the
basic scales used in rock, country, bluegrass etc., these scales
are as follows:

* minor pentatonic

* blues scale

* major pentatonic

Once the guitarist can play these scales in every key the next
scale to learn would be the major diatonic scale and it’s
associated modes based on the major scale.

How the modes work:

If we were looking at a piano keyboard we would notice that
without the black keys there are 8 octaves of the C major scale.
If you run your finger left to right along the white keys you
will be playing , the scale of C major even though you happen to
start on a note other than C. This musical fact is the essence of
the modes. A scale can be played from any of it’s notes to any
other of it’s without moving into another key. Actually if you
were to play the scale of C major from F to F an octave higher
you would be playing a nodal scale based on the key of C and the
scale would be called F Lydian.

In every major scale there 7 modes; one for each degree.

Learn the following table -

Play a major scale from note 1 to note 1 above = IONIAN MODE

Play a major scale from note 2 to note 2 above = DORIAN MODE

Play a major scale from note 3 to note 3 above = PHRYGIAN MODE

Play a major scale from note 4 to note 4 above = LYDIAN MODE

Play a major scale from note 5 to note 5 above = MIXO-LYDIAN MODE

Play a major scale from note 6 to note 6 above = AEOLIAN MODE

Play a major scale from note 7 to note 7 above = LOCRIAN MODE

Play a major scale from note 8 to note 8 above = note 1 to 1

All examples above are shown in the key of C major however the
advancing guitarist should practice the modes in every key. The
same formula works for each key:

note 1 to 1 always = IONIAN

note 2 to 2 always = DORIAN

note 3 to 3 always = PHRYGIAN

note 4 to 4 always = LYDIAN

note 5 to 5 always = MIXO-LYDIAN

note 6 to 6 always = AEOLIAN

note 7 to 7 always = LOCRIAN

note 8 to 8 always = note 1 to 1

Each modes unique sequence of intervals creates a mode’s unique
musical (quality) or flavor.

The main thing to keep in mind is that it’s not how many scales
you know but rather how many to “own”, by that I mean how much
you control you have over your scales both intellectually as well
as physically.

The next major jazz guitar scale of importance to learn would be
the harmonic minor scale. Like the modes of major scale the
Harmonic minor scale also has modes built on the different
degrees of the scale.

Here are the names of the modes of the Harmonic minor scale:
the following examples are all derived from the C harmonic minor
scale.

C Harmonic Minor : C-D-Eb-F-G-Ab-B-C

2- D Locrian #6: D-Eb-F-G-Ab-B-C-D

3- Eb Harmonic Major: Eb-F-G-Ab-B-C-D-Eb

4- F Spanish Phrygian: F-G-Ab-B-C-D-Eb-F

5- G Double Harmonic Major: G-Ab-B-C-D-Eb-F-G

6- Ab Lydian b3: Ab-B-C-D-Eb-F-G-Ab

7- B Diminished : B-C-D-Eb-F-G-Ab-B

The real jazz minor scale is the next major jazz guitar scale to
learn. The real jazz minor scale is the jazz variation of the
classical melodic minor scale. An easy way to remember this scale
would be to think of it as a major scale with a flatted third
note.

The real jazz minor scale with it’s various modes. Again, the
real jazz minor scale is presented in the key of C real jazz
minor.

C melodic minor :C-D-Eb-F-G-A-B-C

2- D phrygian (w natural 6th) : D-Eb-F-G-A-B-C-D

3- Eb lydian augmented: Eb-F-G-A-B-C-D-Eb

4- F lydian dominant: F-G-A-B-C-D-Eb-F

5- G mixolydian (w b6th): G-A-B-C-D-Eb-F-G

6- A aeolian (w b5): A-B-C-D-Eb-F-G-A

7- B altered dominant: B-C-D-Eb-F-G-A-B

I would also include the whole tone scale in our list of major
jazz guitar scales to learn.

The note of the C whole tone scale are as follows:

C-D-E-F#-G#-A#-C

There’s a lot of study and practice to gain control of the scales
described so far, particularly to know each scale or mode on all
keys, for many guitarists these are the major jazz guitar scales
to know.

By: Mike P Hayes

Finding A Good Amp For Playing Jazz Guitar

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Jazz guitar talk is generally focused around one thing – sound. The tone of your instrument will play a huge role in the sound that you achieve. If you are engaging in live performances, and jam sessions, no doubt you will be using an amplifier too. Finding a good amp for playing jazz guitar is just as important as finding a good guitar. Let us avoid discussing which amps are “better” than others, and get down to the important issues you need to focus on when you are looking for a good amp for playing jazz guitar.

Traditional Jazz

Players who are concentrating on developing a traditional jazz sound are going to be looking for just one thing in a guitar amp – a clean sound. If you want a traditional, clean jazz sound, then you will commonly gravitate toward a solid state amp or a tube amp. Solid state amps are easier to care for than tube amps, they are less prone to damage and most importantly they deliver clean, distortion free sounds on a regular basis. This is what makes them extremely popular among jazz guitarists. The biggest complaint about solid state amps is that they tend to sound “flat” and elicit little life from the tone of the instrument. Tube amps, on the other hand, are believed to deliver a much warmer tone, and some players insist that their sound is more alive when they use a tube amp. Unfortunately, tube amps are prone to distortion, typically something traditional jazz guitarists want to avoid at all costs. Despite their expensive maintenance bills and extreme weight on the move, tube amps are exceptionally popular, for those who favor the clean, traditional sounds of jazz as well.

Contemporary & Modern Jazz

For the more modern and contemporary jazz guitarist, a good amp may come in many shapes, sizes and forms. Players who are looking for a more mixed up and funky modern vibe in their sound will regularly employ effects and alterations. They might be more inclined to own and perform on a solid body electric, and may gravitate toward amps with more bells and whistles. Digital amps are increasingly popular for modern jazz. Modern jazz guitarists may also be dabbling in other genres, and digital amps are extremely effective in other arenas of music as well, thus it is a very practical choice. These players are going to want a lot of on-board effects at their fingertips, and a digital amp provides just that.

Industry Standards

Within the world of jazz, there are several amps that have emerged as industry standards. This includes the Fender Pro, often heralded as a good amp for playing jazz guitar due to its extremely clean sounds and lack of distortion.

It is unfortunate that manufacturers do not produce amps that are labeled “jazz guitar amps”. This means you will need to spend a lot of time listening to others, and trying out amps in order to find your own signature sound.

By: David Smithe

Jazz up Your Image with Stock Photos

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The cost of just about everything has dropped with the growth of the internet. Stock photographs are no exception and their use is now within everyone’s grasp. I use these photos for handouts, brochures, blog entries, websites, and even direct mail pieces. I change the image constantly to keep my message fresh and unique.

Here are few reasons I use them and how they blend into my business plan.

The images can sell the concept, they are compelling, create emotion and I have tons to choose from. There is access to a wide variety of unique and exotic photos from all around the globe and these images can convey your message.

The price is right! Most images are extremely cost effective and are within anyone’s budget. I usually spend no more than a few dollars per image and their use is universal in most cases. Stock images present an inexpensive alternative to hiring a professional photographer, or buying the tools to create your own.

The quality fits my needs and the quality is better than I need and it allows me to blend the image to the message I am trying to make. Stock agencies must offer quality in order to compete and it shows in their photos. There is a quality level for every budget and every project.

There are two standard ways to purchase stock photography: as single images and in a collection. Which is the right method for you will depend on the use and the goal of your marketing?

The simplest method to purchase stock photos is on an image by image basis. The choice can match your current project and there is no need to find a place to store it. If I am using a single image I normally will spend $1 per photo so it becomes a throwaway asset.

If you work in a specific area of the business it could be less expensive to buy a whole collection but it depends on how many photos your needs might be. Normally collections of a specific topic may be less than $ .10 per image but you will need to buy them all to get what you need. These are generally sold in lots of 1,000 and are on DVD.

Time is money or so it is said and using stock images says plenty of time. It just doesn’t make sense to use any other source than these ready to sue and available images. They are quick, price effective and will spruce up your message.

Two sites I purchases images from:

http://www.istockphoto.com

http://www.luckyoliver.com

By: Bill Broich