All about jazz festivals

Archive for October, 2009

Jazz Clubs Make the Night Come Alive

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Times may be hard and the credit crunch may be kicking in but there are still many people looking to have a great night out and enjoy themselves every once in a while. This means that venues that offer something out of the ordinary and allow people the chance to truly escape from their normal lives are extremely well regarded and what better way to unwind after a hard day or week at work by hearing the thrilling sound of live jazz instruments. Whether it is a jazz band in full flow or a solo jazz artist giving an audience great joy and pleasure, there are not many musical genres that can match the majesty of a live jazz performance.

Of course, as has already been said people have to consider ways to reduce their spending and make savings which means there is a great reason to learn how to play a jazz instrument. Not only will learning a new instrument give enjoyment and something to focus on, the opportunity to put on your very own live jazz performances at home in front of friends and family members will provide a fantastic alternative to a night out on the town. So you can have your own fun at home or who knows, you may end up playing in jazz clubs yourself one day.

Learn to play jazz music

So many different instruments and styles can be used to come together in a jazz performance that one of the hardest tasks can be to choose exactly what you are going to play. Always make sure you evaluate your options before making your mind up as there are great options available to choose between. There are so many great jazz instruments that no matter what you choose, there is likely to be a place in a jazz band waiting for you to add your personal style to the mix.

Joining a band is a fantastic way of meeting new friends and if you decide to join a band that plays jazz music, it’s likely you will have a lot in common with your fellow band mates. This means that joining a band can have a great social aspect to it which is another fantastic reason to learn a new instrument. With busy lives, some people find it difficult to make new friends so this opportunity to meet new people is a great addition to many people’s lives. Having fun can never happen too often so why not make the most of your free time and join a band?

How many jazz clubs do you go to?

It may not be the most obvious choice of evening’s entertainment for a great number of folk but being able to head out with friends and enjoy a few hours of great jazz music is a welcome treat for so many people and it is this that provides inspiration to many people. Once people hear the sound of jazz instruments live, it is as if there is a spark being set alight within them and they quickly develop a desire to make music with a jazz band.

By: James Hanna

Jazz Improvisation, A Fascinating Musical Sub-Genre

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Jazz music is a very popular genre of music and is actually a very important kind of American classical music. Some believe that jazz originated in the early twentieth century in South America. But there is no question that the early development of jazz took place in the United States and was greatly influenced by blues music. Blues was especially popular among African Americans in the first half of the 20th century in the rural south and in cities such as New Orleans, St. Louis and Chicago.

The music that was called jazz was popular in many countries, including the United States. At the same time it quickly spread to many countries in Europe, and then to many parts of Asia, South America and Australia.

What makes jazz unique? Among other things the unique features of Jazz include ‘blue notes,” improvisation and syncopation. Jazz relies primarily on the spontaneous expression of the musicians – usually playing in small groups – and does not necessarily use a written score. The 1930s saw a rapid rise in the popularity of jazz. Although black musicians dominated the jazz scene, the 1930s saw an increase in the number of white jazz singers and players. But during this time jazz still remained true to its roots and to the African-American blues musicians who created it.

Jazz is a music of the world. It combines classical, popular and traditional American music with important strains of European and African musical traditions. Jazz is very technically sophisticated while still remaining spontaneous and improvisational. To really develop a good understanding and appreciation of jazz it is important to experience all aspects of the music, listen to the masters and join other musicians in playing. Jazz is truly a group experience.

Jazz is a musical style that contains a lot of self-expression. Open your mind to many different jazz musicians by listening to them play and then joining a group of musicians in your own jazz combo. Because of its improvisational character, Jazz is usually not the kind of music that can be perfected by individual practice.

For a musician learning improvisation, it is wiser to begin with simple songs. Basic techniques can be learned through listening to other musicians, experimenting, or taking some lessons. Those techniques, once mastered, can be applied in a more advanced way to more complicated songs. Remember, too, that a jazz musician is more about self-expression than technique.

Start experimenting by playing the music the way is written, but occasionally modifying certain phrasings and adding a few embellishments of your own. This is a great way to become comfortable with jazz improvisation. This process of “intentionally messing up”, and learning what sounds good is not just for piano or guitar, but can be applied to any of the hundreds of instruments used in jazz.

Immerse yourself in jazz music by listening to both contemporary and traditional jazz masters. There are also schools of musical instruction that specialize in teaching jazz, jazz improvisation, jazz soloing, and many other facets of the discipline. If you are serious about playing jazz music, one of these jazz schools might be the most direct way to get your career as a jazz musician going in the right direction.

One of the richest, most expressive and satisfying genres of music for the musician looking for creative expression is, without a doubt, jazz. It creates a magic which cannot be expressed in words. When people are really interested in actually listening to the music, jazz can be the most appropriate and entertaining type of music you can choose for almost any occasion. Being equally challenging and rewarding for the musician – what could be better than that!

By: Howard Brule

Jazz: What In The Heck Is It?

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All of us know what jazz is when we hear it, but trying to define it is a different matter. With so many variant styles, coming up with an accurate definition of jazz is difficult if not impossible.

But I suppose that an article on jazz really ought to attempt to define the term “jazz.” My Thorndike-Barnhart Dictionary defines jazz like this:

*jazz (jaz), noun. 1. American music with the accents falling at unusual places; syncopated music. 2. Slang, liveliness – adj. of or like jazz: a jazz band.

Besides not telling us very much, it is also obviously false. I think immediately of ballads played by jazz musicians, such as Thelonious Monk’s ‘Round Midnight and Bill Evan’s Peace Piece, and countless other examples. They are based on neither syncopation nor liveliness; they are slow, extremely thoughtful, and the antithesis of “jazzy.” Yet they are considered by both jazz musicians and jazz critics alike to be well within the mainstream of jazz.

Let’s try A New Dictionary of Music and see if we can get closer to the essence of jazz:

*jazz, a term used at least from 1914 for a type of American popular music originating among blacks of New Orleans and taken over also by whites; also used generally for various types of dance music indebted to this (though purists reserve the term for such music as retains the original flavor and the original basis of improvisation.) The jazz idiom, characterized by certain syncopations over strongly reiterated rhythms, has influenced e.g. Lambert, Stravinsky, and Milhaud, as well as many American composers.

That’s better than the Thorndike-Barnhart definition, but it still leans heavily toward defining jazz in terms of rhythm alone: “characterized by certain syncopations over strongly reiterated rhythms.” I think again of ballads, but also of much contemporary jazz which is not characterized by “certain syncopations,: such as the work of pianists Keith Jarrett and Chick Corea.

What then is jazz? If the general dictionaries and musical dictionaries can’t satisfactorily answer the question, what hope is there for us?

Ask a hundred jazz musicians what jazz is, and you’ll get a hundred different answers (I know – I’ve asked at least a dozen and gotten as many different responses.)

I would like to suggest that the answer may lie, not in music, but in semantics.

I think it is entirely possible that we are lumping together widely disparate types of music, and labeling them all with the term “jazz,” then wondering why we can’t come up with a lexical definition of the term. Maybe we should abandon the word “jazz,” and use terms such as “improvised fast syncopated music,” or “improvised slow non-syncopated music.” Maybe we should, but we won’t. So we are stuck with the non-definable term “jazz.”

So let’s not define jazz.

We all know what it is, more or less. We would disagree mainly in the “grey” areas, such as ballads, some contemporary works, and so forth. But let’s agree not to disagree, and just enjoy it.

The following articles in this series will deal with the various styles we find in jazz, from ragtime to fusion.

So stay tuned.

By: Duane Shinn