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Archive for October, 2009

Jazz Music: History of Jazz Music in Kansas City

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From its beginnings as nothing more than a simple trading post on the banks of the Missouri river, to its raucous heyday in the 1920’s and 30’s, Kansas City has retained the independent spirit of its frontier beginnings. Even though an assortment of colorful characters, cowboys, politicians, criminals, and even wagon trains populate the history of Kansas City, you can forget everything you’ve ever heard about it being a “cow town.” Today, the outgrowth of that colorful history and frontier spirit radiates energetically throughout the city
and its populace.

Widely regarded as the birthplace of Jazz. KC’s early reputation as a “wide-open, anything goes” city captivated and allured the musical performers of the day. It’s central location and ease of access via rail were the other components which induced this musical migration. Kansas City became a haven for musicians and fans alike.

The musicians, who interpreted their experiences in KC’s permissive environment through their music, were also creating the elastic techniques and musical license, which remain at the heart of Jazz today. The hub of this development was the
18th and Vine district. Many legendary musicians, Count Basie, Ella Fitzgerald, Joe Turner and Charlie Parker to name a few, made their way to Kansas City. Their connection to one another and to the Kansas City “scene” brought about a unique musical expansion which enriched the city’s history and initiated the genesis of Jazz.

Kansas City’s affiliation with Jazz is celebrated daily at the American Jazz Museum
in the 18th and Vine District and nightly at clubs and restaurants throughout the city.
Live Jazz and Blues are still an important part of the Kansas City entertainment and nightlife scene.

Kansas City’s early sports history, specifically its affiliation with Negro League Baseball, is showcased in detail at the Negro League Baseball Museum.

Also located at the 18th and Vine District, the museum documents the history of Negro League Baseball from its beginnings in the mid 1800’s, to its demise in the 1960’s. If you are interested in this facet of the histoy of baseball, a visit to this museum is highly recommended.

By: Joseph Patrick

Jazz Music – Discover the Incoherence Within!

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William Shakespeare has well said ” He who hath no music in him is fit for treasons and spoils.” This statement looks so true and it very right in its own sense. In the early modernist era, a genre of music known as the Jazz music went on to become pretty popular and it is popular still. The Jazz music is marked by the incoherence of words and music. There is no sense of music and it looks more like a cacophony. However, Jazz music gained momentum and it became one of the most popular style of music in those days. And the rest is history. Jazz music, till date is one of the most popular style of singing and you would find a lot of patrons of Jazz music. Let us acquaint ourselves with the history of the Jazz music .

The early 20th century was marked by sorrow, dilemma and depression. With the death of queen Victoria in 1901, the Edwardian Era began which was a gloomy phase in the history. Then the second half of 20th century witnessed an immense sense of isolation and alienation with modernism and the World War I. Thomas Stern Eliot refers to the coherence of the Jazz music in so much incoherent world. The time, when everything seem to go wrong and nothing was in place, Jazz music became the soul of music and reflected the cacophony of the times. Again, World War II sabotaged the values and ethics of humanity and the human suffering was beyond endurance. Then the great economic depression lead to sadness and material loss. Then the advent of post modernism, the Jazz music had become so much in sync with the times that it became the voice of the deserted humanity and hapless individuals.

You can find some of the best Jazz music CDs on World Wide Web and find some of the famous music of your choice. From Robert Wyatt to Amy Winehouse, Jonie Mitchell to James Morrison, find out more about the music and its relevance! When you need your choicest jazz music CD, consider Internet as your best option!

By: Jacob Marshal

Jazz Piano Practice Tips That Work!

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Warm up and stretch. Bill Evans used to put his arms under a hot-air dryer (you know the ones in the bathroom?) to help warm up his arms. Warm ups and stretching are very important. You can run your arms under warm (hot-as-you-can-take-it) water and rub them. You’ll be surprised how this helps a lot! Try running through 5-finger scales, Major scales and arpeggios.

Practice in “Chunks”. When you are learning a piece of music, break it into chunks. A good chunk is 2-4 measures for a difficult piece or 8 measures for an easier piece.

Vocalize Rhythms. I cover vocalization of rhythms on my DVDs. Basically, you assign a non-sense syllable to each rhythm and “sing” the rhythm. This helps you to really feel the rhythm rather than over intellectualizing it.

Practice slowly, then build up speed. Think about this: Every time you play something wrong, you are getting better at playing it wrong! Basically, you want to play slow so that you can play accurately.

I see so many students play fast and make the same mistake over-and-over again. Go slow, then build up speed. You’ll see a big difference!

Use a metronome. Digital metronomes are more accurate than the “wind up” kind. Set the metronome to a slow tempo to start, like 80 or 90. If you are playing jazz, try setting the metronome on 60 and think of this as beats 2 and 4. Beats 1 and 3 do not click. You think of them in your head.

Keep your eyes on the music. You do not need to look at the keys in order to play. If this were the case, how would people with impaired vision play? We look at the keys as a “crutch”. Try your best to look more at the music and less at the keys.

15 minutes a day is better than 2 hours on Sunday! There are several reasons why practicing throughout the week (even for 15 minutes, but try for 30) is better than the “big” practice session once-a-week.

First of all, most of us (me included) can only really concentrate for about 30-45 minutes on one task. So, I’d rather see you practice for a concentrated 15 minutes rather than a “What’s for dinner tonight? How much homework do I have? I need to call Jill after this….” 45 minutes.

Second, 15 minutes spread out over 7 days will help you to remember concepts. Imagine studying math for only one day a week, then taking a test? Practicing every day helps to “lock in” what you are learning.

Comfort. If you are uncomfortable, you will not want to practice. Remember:

Sit on a comfortable bench that is not too high or low. Practice in a well-lit room. You do not want to strain your eyes to read the music. Avoid a room with a T.V. in it. Too much temptation! Try to practice at a set time every day. This helps you get on a schedule. Sit up tall, but not stiff!

Patience. This should go without saying, but you need to remain patient with yourself. Learning to play the piano (or any instrument) can be frustrating. Some days you’ll amaze yourself at your progress. While other days you’ll feel like you have stepped backwards.

Learning is cyclical. It’s like the rising and falling of waves in the ocean. Some days you’re up, some you’re down. Once you realize this, and accept it, you’ll be able to step back and look at your musical journey in “perspective”.

This is a great way of looking at practicing. Remember the old saying that “It is not the destination but the journey?” Think about where you started and where you are now. You’ll probably be amazed at your progress.

If you are just starting the piano, I’d like to suggest that you record yourself on CD or video tape playing your first piece. Reason: when you feel down about where you are, pop in the video and look at where you were.

There are many other tips that can be added to this list, but this is a great start.

If you have not subscribed to the free JazzPianoLessons.com E-Lessons, I’d like to encourage you to do so. I have created 20 video lessons that are absolutely free. The E-Lessons are for students of all levels.

Have Fun Practicing!

By: Willie Myette