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Posts Tagged ‘Bebop Jazz’

Jazz Guitar Strings – The Right Ones For That Perfect Sound

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Serious jazz players are quite particular about the jazz guitar strings they choose and use. They expect the exact sound they want. There are different kinds of jazz guitar strings available with reputed manufacturers like Thomastik-Infeld, D’Addario, Elixir, etc. Finally it all boils down to choosing the jazz guitar strings that sound just right for the user.

Types Of Jazz Guitar Strings

Flatwound – probably the most popular for Swing. These are usually flat ribbon wound strings with a polished nickel surface giving the player the flexibility and the kind of smooth sound that is expected.

Roundwound – for BeBop jazz. While several jazz players don’t really go for roundwound strings, manufacturers like Thomastik-Infeld have wooed jazz players with the way they manufacture these. These strings are dense, although of thin diameter and play wonderfully at high frequencies, so much so that the tone has the purity of piano notes.

Most high quality jazz guitar strings are crafted with a core of carbon steel rather than the usual hex cores. This makes them play better and also vibrates well without the ‘preferred motion axis’. These string ends are wrapped in silk to keep the winding intact and to also increase their life.

For those who play blues jazz – and practically everyone who plays jazz does play the blues – the flatwound chrome strings they use are the most preferred. This is because these strings do not create the finger noise associated with other strings, resulting in easy play and better style. But the half round wounds are also popularly used, as they seem smoother and there is more clarity of sound with them compared to flatwounds, making them sound great when playing the blues.

Making The Choice For Jazz Guitar Strings

It is vital, as any jazz guitar player knows, to choose the strings that work best for you, and also make sure you replace them properly when necessary to avoid your guitar detuning. The main things to remember in making your choice are: the brand you select, the composition of the strings, string gauge, and the type of winding.

As far as brand is concerned, you can try a few and choose the ones you feel most comfortable with. As mentioned earlier, the most reputed are Thomastik-Infeld, D’Addario, Elixir, and others.

Guitar strings are usually composed of a core high carbon steel wire with a wrap wire wound around them, which influences the sound of the guitar strings. This material could be nickel, considered the best, or stainless steel for brighter tones, or phosphor bronze for a warmer sound mostly used in acoustic guitar strings. Most classical guitars have nylon strings.

String Gauge refers to the diameter of the first and last guitar string since most guitar strings are sold as sets. Jazz guitar string sets are usually available as .012 – 0.054-inch diameter, which is heavier than those used for other music styles, so that they result in a thicker tone with increased sustain. Most jazz guitarists just starting out to play use lighter sets to first get used to them and then move on to the heavier type. It should be borne in mind that as you progress to an advanced playing level, and switch to a string set of heavier gauge, you must also adjust your guitar neck and the intonation.
The roundwound type of strings have a louder and brighter sound while the flatwound type has a flat ribbon wire with duller, smoother sound. Most jazz guitar strings are of the flatwound type.

Some Jazz Guitar String Maintenance Tips

To get your jazz guitar strings to last longer, remember to wipe them down using a dry cloth after each playing session. It is better to replace your strings just as they begin to wear out. Preferably change the entire set since changing just that one broken string can lose the sync of your sound.

By: Brian Trainer

Get MIDI Files And Jazz Play Alongs To Learn Jazz Music Faster

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Jazz music is one of the most popular music forms, and there is a huge mass following of this kind of music than any other kind of music. Most people have started to admire the beauty of jazz music and even youngsters are in love with it. Moreover, there are many online service providers who offer a huge range of Jazz Midi Files of renowned jazz bands and artists. If you are thinking to learn some jazz music by your own then you can seek the help of these online service providers and get your favorite Jazz play alongs that will allows your to practice jazz quite effectively.

Jazz is primarily an American musical art that originated during the early 20th century in the African American communities of the southern part of the United States. Jazz music mainly comprised of blue notes, poly-rythms, swung notes, improvisation and syncopation. It is also very difficult to define Jazz music as it has many facets. Jazz music has gone through an evolutionary process and there are many types of Jazz that include Latin Jazz, Cool Jazz, Bebop jazz, Free Jazz, Modal jazz, Hard bop, and Dixieland Revival. Improvisation is one of the most important features of Jazz music and higher the rate of improvisation the better will be the quality of the jazz music. Jazz music is played with instruments like bass guitar, saxophone, drums and piano. However, many new sophisticated instruments have been introduced to offer greater improvisation to the music.

By locating an online service provider, you will be able to get most famous jazz midi files loaded with many helpful tips for learning to play it at your home. Some websites also offer instructional videos for guitarists, pianists and bassists who are learning jazz music. Jazz play alongs, offered by online providers, are also very useful in building your improvisational talents. Many jazz play alongs track are available with different combinations of jazz instruments. It is also very easy to get started with these midi files and jazz play alongs tracks as they provide step to step procedures and detail information on how to use it. You can easily download them to your computer or store it in your iPod.



By: Akhila Choudhary

Jazz From Goa, India

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HP- Tell us something about yourself.

CD- I’m a Mumbai goan looking forward to being a Goa goan very soon. I’ve reached two important milestones in my career. One is, after decades of playing everyone elses music i’ve development a style of my own and the biggest compliment I get these days is when someone recognizes my bassplaying on some tune they heard somewhere, they call up to confirm and..voila! The other milestone is probably every musicians dream, to produce music out of my own studio. A dream that will come true for me within this year when I setup my own state of the art studio in Sangolda. I’ve also setup an organisation called Jazz Goa with the help of fellow musicians and jazz enthusiasts in Goa.

HP- What drew you towards jazz?

CD- Jazz is a huge word, it should be spelt jjjaaaazzzzz! Seriously though, I think jazz is the most open, alive and evolving form of music that allows a musician to be him/herself. Most other forms of music demands a musician to follow trends and tradition or create stuff that’s currently hip. Whereas a jazz musician goes about his business listening, assimilating and finally innovating with yet another genre of jazz! We now have dixiland-jazz, swing-jazz, bebop-jazz, funk-jazz, rock-jazz, pop-jazz, fusion-jazz, latin-jazz, indo-jazz, mando-jazz… to cut a long story short, there’s a -jazz attached to every genre of music. And there will be a -jazz attached to every genre that comes along. I’m a musician who’s atracted to anything that looks, feels, smells, tastes and even sounds like music, so naturally I choose jazz as I get to play it ALL.

HP- What sets apart jazz music from other genres?

CD- Jazz is the only form of music that embraces all other forms and it is no longer American music. Today jazz can safely be called world music.

HP- What led you to become a jazz artiste?

CD- From amoung all the different genre’s of music I grew up listening to, for some reason it was always jazz that struck those extended chords within me. I could always hear the human and very often super human element in a jazz rendition.

HP- Your favourite jazz aristes/tracks.

CD- You’ll need to extend this interview by a few thousand pages to answer that. My all time favourite however was a bassplayer called Jaco Pastorius who revolutionised bassplaying taking bass right upfront, over, under and right through a song.

HP- To whom would you attribute your credentials as a jazz musician?

CD- To everyone i’ve worked with and everyone I would like to work with someday.

HP- Where and how did you train to be a jazz artiste?

CD- I have no formal training in music, I learnt music listening to other musicians, assimilating what I liked and using it consiously or subconsiously in performance until i developed a style of my own. Once I decided to play professionally though, I did study the technicalities through some great music books that are easily available these days.

HP- How do you prepare for a gig?

CD- I make sure there’s enough soda to go with the whisky…just kidding! It depends, if it is a concert where I would be performing my own compositions, I get the tunes composed, then get the band to rehearse and sound the way I heard it in my head. As it often turnsout, input from the rest of the band takes the tune to a dimension I would never have imagined. So you see, music is all about connecting and collaborating, don’t believe any of those fantastic one man bands. They’re faking it for monetary reasons, not that I have anything against it. All is fair in love, war and music.

HP- Talking about gigs, where and when did you first perform/how long have you been into jazz?

CD- Like most musicians I first got into music with school/college bands. I then graduated into fivestar hotel resident bands whose repertoire was made up mainly of jazz standards. I did that for ten years, playing music every night made me a musician.

HP- What is the jazz scene like in India, and Goa in particular?

CD- The jazz scene in India, Goa or anywhere in the world is the same. There’s a niche group of performers and listeners that grows all the time. Hopefully with jazz’s open armed evolution, it will grow into the global sound of music.

HP- What have been your highs and lows in your career thus far?

CD- The highs have always been the applause at the end of a track performed, the lows would be finding out that the applause was actually for the sixer Sachin hit on the big screen just besides the stage at Jazz by the Bay in Mumbai.

HP- How would you explain your role as a jazz musician in society?

CD- A jazz musician gives people a nicer high than some other interesting social highs.

HP- Define jazz.

CD- Jazz is improvised music. Sometimes structured, sometimes orchestrated, sometimes free of form and almost always, spontaneously created.

HP- Notable gigs/performances.

CD- The world reknowned Hennessey XO jazz tour has always been featuring jazz artistes signed by the American Blue Note label. Last year for the first time a jazz band outside the label, from far away India, was selected for this prestigious international tour. I was the bassplayer for that band. An unforgettable experience for sure. More recently my indo-jazz fusion band ‘The Brown Indian Band’ has been approached to open for Sting’s European tour this year. Fingers are crossed about that one.

HP- Collaborations with other musicians.

CD- I am contineously collaborating with musicians from all over the world thanks to the internet and my website http://www.hullocheck.com

HP- I understand you have been into different genres of music and worked with various ensembles. Tell us more.

CD- As I mentioned it before, when it comes to music I want it ALL. Name the genre and chances are, i’ve been there. You’ll find traces of just about every genre in my own music. There are very few musicians in the world today, who would match the number of bands and musicians I have worked with.

HP- Currently performing at…

CD- I currently perform on two resident contracts in Mumbai at the JW Marriott hotel in the afternoons and the Taj Lands End hotel in the nights. I also take timeoff from these two gigs to perform at concerts and corporate events in India and abroad. So that averages some sixty gigs a month!

HP- Your hobbies/interests…

CD- My main hobby and interest is my profession today. Everyone else works for a living, I play for mine. Someone once told me ‘All play and no work makes…makes me tick!’ Seriously though, I am very keen on improving the plight of most goan musicians in Goa. I was one sometime ago so I should know the raw deal most of them get. My plan is to set up Jazz Goa as an umbrella organisation for not just jazz but all the other immense artistic talent in Goa. To start with my studio in Sangolda will record and produce deserving artistes. Jazz Goa will then launch the best from there at a global level. Jazz Goa has already produced four audio CD’s and a DVD that is available in Goa exclusively at Vibes Music in Margao and online at http://www.jazzgoa.com



By: Jazz Goa