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Posts Tagged ‘Dorian Mode’

How to Use the Dorian Mode in Jazz Improvisation

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The Dorian mode is very important in jazz and deserves attention. Let’s figure out how to make a Dorian scale. There are two ways to think about this: the first way is to remember that Dorian is the 2nd note of a major scale, so if we find out the first note then we know what key signature we are in. For example: I want a G Dorian scale. I know that G is the 2nd note of some major scale. Let’s go back and look at our major scale from the first part of the book. 12345678.

If I put the note G under the number 2 (remember that we are trying to find G Dorian, the 2nd mode) I can now find out who 1 is. You can think of this is algebra, solving for 1. I will go down a whole step from G and find myself on F. Remember that there is one whole step in between the 1st and 2nd notes of a major scale. I now know that F major is the key I’m using. F major has one flat. Now, I will start on G, and play from G to G using the Key of F maj. In other words, I am in the key of F.

The other way to form a Dorian scale is to compare the Dorian to a major scale. You can see that the difference is the 3rd and the 7th notes. In Dorian the B becomes B flat, and the F sharp becomes F natural. In both cases the 3rd and the 7th are lowered

How to Use Modes in Jazz Improvisation

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To form the modes, first we must have an understanding of the the major scale. If we number the notes 1 to 8, we can change the order we play them in by starting on a different note instead of 1. I can play the following combinations:

- 12345678
- 23456782
- 34567823
- 45678234
- 56782345
- 67823456
- 78234567

Basically I started the scale on 1 and returned to 1, then I started it on 2 and returned to 2, then on 3 and returned to 3 etc. In this way, all of the pitches had a chance to be the first note in the scale. If you look closely at the notes, you will see 7 different places we can start the scale, because there are 7 different pitches in the scale.

These different starting points are called MODES. There are 7 different modes, because there are 7 different notes in the major scale. Each of these modes has a name:

Mode 1= Ionian
Mode 2 = Dorian
Mode 3 = Phrygian
Mode 4 = Lydian
Mode 5 = Mixolydian
Mode 6 = Aeolian
Mode 7 = Locrian

If I compare this to a C major scale and play from C to C, I would call this MODE 1, or Ionian. Most people know this mode as major. If I start the scale on D, the second note, and play from D to D using the same notes as C major I will be playing MODE 2, or the Dorian mode. Start on the 3rd note (E) and go from E to E still using the same notes as C major, I’m playing Phrygian mode. You can repeat the process through all of the seven modes.

Since there are 12 major scales and each major scale has seven different modes we now have 84 different scales to worry about! The good news is that there are really only 12 major scales, and 84 different places to start them. By now you are probably thinking “why do I even need to know 7 different modes if the notes are all the same”? It is true that the notes are the same, but the difference is the chord.

By: Pete Swiderski

Major Jazz Guitar Scales

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There seems to be an endless array of scales to learn for jazz
guitar. What are the major jazz guitar scales to learn, if we can
define the major jazz guitar scales that are commonly used, we’d
reduce our workload significantly.

Jazz scales are used by improvisers to convey complex harmonies
common in Jazz. The jazz guitarist must start with the basic
scales, too often the guitarists dives headlong into the more
advanced scales without having a good working knowledge of the
basic scales used in rock, country, bluegrass etc., these scales
are as follows:

* minor pentatonic

* blues scale

* major pentatonic

Once the guitarist can play these scales in every key the next
scale to learn would be the major diatonic scale and it’s
associated modes based on the major scale.

How the modes work:

If we were looking at a piano keyboard we would notice that
without the black keys there are 8 octaves of the C major scale.
If you run your finger left to right along the white keys you
will be playing , the scale of C major even though you happen to
start on a note other than C. This musical fact is the essence of
the modes. A scale can be played from any of it’s notes to any
other of it’s without moving into another key. Actually if you
were to play the scale of C major from F to F an octave higher
you would be playing a nodal scale based on the key of C and the
scale would be called F Lydian.

In every major scale there 7 modes; one for each degree.

Learn the following table -

Play a major scale from note 1 to note 1 above = IONIAN MODE

Play a major scale from note 2 to note 2 above = DORIAN MODE

Play a major scale from note 3 to note 3 above = PHRYGIAN MODE

Play a major scale from note 4 to note 4 above = LYDIAN MODE

Play a major scale from note 5 to note 5 above = MIXO-LYDIAN MODE

Play a major scale from note 6 to note 6 above = AEOLIAN MODE

Play a major scale from note 7 to note 7 above = LOCRIAN MODE

Play a major scale from note 8 to note 8 above = note 1 to 1

All examples above are shown in the key of C major however the
advancing guitarist should practice the modes in every key. The
same formula works for each key:

note 1 to 1 always = IONIAN

note 2 to 2 always = DORIAN

note 3 to 3 always = PHRYGIAN

note 4 to 4 always = LYDIAN

note 5 to 5 always = MIXO-LYDIAN

note 6 to 6 always = AEOLIAN

note 7 to 7 always = LOCRIAN

note 8 to 8 always = note 1 to 1

Each modes unique sequence of intervals creates a mode’s unique
musical (quality) or flavor.

The main thing to keep in mind is that it’s not how many scales
you know but rather how many to “own”, by that I mean how much
you control you have over your scales both intellectually as well
as physically.

The next major jazz guitar scale of importance to learn would be
the harmonic minor scale. Like the modes of major scale the
Harmonic minor scale also has modes built on the different
degrees of the scale.

Here are the names of the modes of the Harmonic minor scale:
the following examples are all derived from the C harmonic minor
scale.

C Harmonic Minor : C-D-Eb-F-G-Ab-B-C

2- D Locrian #6: D-Eb-F-G-Ab-B-C-D

3- Eb Harmonic Major: Eb-F-G-Ab-B-C-D-Eb

4- F Spanish Phrygian: F-G-Ab-B-C-D-Eb-F

5- G Double Harmonic Major: G-Ab-B-C-D-Eb-F-G

6- Ab Lydian b3: Ab-B-C-D-Eb-F-G-Ab

7- B Diminished : B-C-D-Eb-F-G-Ab-B

The real jazz minor scale is the next major jazz guitar scale to
learn. The real jazz minor scale is the jazz variation of the
classical melodic minor scale. An easy way to remember this scale
would be to think of it as a major scale with a flatted third
note.

The real jazz minor scale with it’s various modes. Again, the
real jazz minor scale is presented in the key of C real jazz
minor.

C melodic minor :C-D-Eb-F-G-A-B-C

2- D phrygian (w natural 6th) : D-Eb-F-G-A-B-C-D

3- Eb lydian augmented: Eb-F-G-A-B-C-D-Eb

4- F lydian dominant: F-G-A-B-C-D-Eb-F

5- G mixolydian (w b6th): G-A-B-C-D-Eb-F-G

6- A aeolian (w b5): A-B-C-D-Eb-F-G-A

7- B altered dominant: B-C-D-Eb-F-G-A-B

I would also include the whole tone scale in our list of major
jazz guitar scales to learn.

The note of the C whole tone scale are as follows:

C-D-E-F#-G#-A#-C

There’s a lot of study and practice to gain control of the scales
described so far, particularly to know each scale or mode on all
keys, for many guitarists these are the major jazz guitar scales
to know.

By: Mike P Hayes