Jazz Festivals » Jazz Pianists

Jazz Pianist And Composer Oscar Peterson

admin — Wed, 07 Apr 2010 21:53:32 +0000

Originally from Montreal, Quebec, Oscar Emmanuel Peterson was born August 15 in the year 1925 and would begin his musical career in the year of 1945. He would grow up to have a long and very successful musical career and would also come to be regarded as one of the greatest pianists of the time. Unlike many other well-known musicians he lived a very long life, passing away at the age of 82 on December 23, 2007 in Ontario. Throughout his life, he played live concerts around the world, recorded many albums, won numerous Grammy awards and many other awards for his music.

At the early age of five years, Oscar Peterson began playing the trumpet and the piano, which his father and sister taught him how to play; however, his interests soon turned toward the piano as a result of suffering from tuberculosis that made playing the trumpet difficult. Besides his father and sister, Oscar also learned from Paul de Marky, who was also a classical pianist. Even thought most of the music he was taught was classical, he was extremely interested by jazz. Before the age of ten, the talent started to show through his amazing control of his piano playing. This could be attributed to his intense practice, which was between four and six hours a day. His amazing control could very well be attributed to his extreme self-discipline in music, though the time he spent practicing shortened to about two hours a day after a few years.

The first award he won was at the age of fourteen, when he participated in a national music competition. It was this moment that really changed his life. He left school and immediately began his career by playing professionally in hotels, music halls and on a radio show. He later went on to play in duets, trios, and quartets. It was then during the 1950s when his reputation as one of the worlds leading jazz pianists was made that he began to play in small bands, quartets, trios, duets and even solos, though solos were not something he did very often. He did, however, create a few albums that were solos. Besides his playing, Oscar was also known for some of the music he composed. He wrote some songs, but also composed numerous pieces for the piano that were for trios and quartets and big band.

Though it may not seem it when watching him play, Oscar had suffered arthritis since he was very young and one would think that this could make playing the piano quite difficult. Later in his life, he also suffered a stroke that made playing even more difficult, but he did not allow any of his health problems to get in the way of his playing. He continued to play in the 90s, even if it was more with one hand, and continued to make both live and studio recordings. He was a man that was dedicated to his music and would not let anything get in the way of his playing if he could help it. During his 65 year career, he won no less than seven Grammy awards for his talent and his many recordings continue to be listened to and enjoyed today.

By: Victor Epand

How To Play Jazz Piano With Style

admin — Mon, 28 Dec 2009 14:25:58 +0000

The piano is an important musical instrument for jazz bands since the origin of jazz music and it can be played in the style of a solo performance or as part of a band. Like the guitar, the piano is one of the few musical instruments in a jazz band which can play chords as well as notes instead just single notes only instruments such as the saxophone, trombone, trumpet or even the vibraphone (1 or 2 notes together).

Gone were the days when a jazz pianist’s role is just to keep tempo with repetitive chord combinations. Nowadays, the pianist is free to choose any technique or style to accompany a band or a singer using both short and sustained chordal and melodic fragments called comping.

An accomplshed jazz pianist must not only be good at sight-reading as well as good at improvising chord symbols but also must be able to adapt to the different playing styles of various bands he jams with. Jazz pianists must balance this interpretation and improvisation to the musical style the bands are playing.

The jazz pianist is indeed a happy musician because of the extended range of the piano. The piano offers the pianist with a much greater number of choices and techniques for improvisation, much more so than any other instruments in a jazz band.

In a jazz musical style known as “striding”, the left hand of the pianist alternates positions very quickly playing notes in the bass register and chords in the tenor register. The right hand will usually play the melody, but might also play harmonic content, chordally or even in octaves.

Jazz pianists play the solo with 3 basic objectives to fulfill simultaneously. The techniques are as follows :-

a) To provide a clear and swinging rhythm. This style is usually done by striking a beat with the right hand just after a weaker beat with the left hand. The objective of this technique is to mimic the combination of a cymbal ride as well as the walking bass. This technique can also be executed deftly with the left hand alone, by imitating the weaker beat preparatory swing note that is played by a bassist just before he strikes some of the notes of the bass phrasing.

b) Play the melody or solo improvisation with the right hand.

c) Establish the guide tones for chord changes.

One method commonly used by jazz pianists for tackling this triple situation simultaneously is to hold the hands together in a fork-like shape with the index and the third finger joining the thumbs to form a central group, whilst the fourth and fifth fingers are spread outwards.

This is done so that the pianist can use the left branch fingers to play bass notes, the middle fingers to moderate the guide tones and the right branch fingers to play the upper lines of the melody.

It is indeed challenging for the pianist to meet all these demands at the simultaneously. However these skills are inherent in most competent jazz pianists.

What is commonly called the ‘circle of fifths’ is also an important element in playing jazz piano because it provides harmonic diversity through a well guided harmonic phrase. Playing the circle of fifths technique is very much related to chord “planing” techniques which shift a chord, often voiced in fourths, up the scale, while implying a repeated harmonic pattern of tonic-dominant-tonic-dominant.

If you intend to be a good at playing jazz piano, then mastering these styles and techniques is a required skill.

By: Chris Chew

Play Jazz Piano In Style

admin — Sat, 26 Dec 2009 14:16:22 +0000

By: Chris Chew

Jazz Piano and Style

admin — Mon, 14 Dec 2009 20:42:34 +0000

The piano or keyboard is an instrument that can be played in a solo performance or it can be part of a band. Jazz bands make heavy use of pianos since jazz began. The reason for this is that pianos along with guitars are some of the few instruments in a jazz band that can play chords in addition to a melody or counter melody.

In the past, a jazz pianists main role was to keep tempo with a combination of repetitive chords, but in recent years this has changed. Jazz pianists now days are able to select from a multitude of styles and techniques that they will use to accompany a band or singer. Short and sustained chordal or melodic fragments are used.

Experienced jazz pianists are not only great at sight-reading, but can also improvise chord symbols and adapt to the various playing styles of jazz bands. A jazz pianist must balance this improvisation and interpretation with the music style of the band.

The extended range that the piano provides also helps a jazz pianist with creating unique sounds that other instruments in the jazz band can not create.

Jazz pianists have 3 goals that they aim to achieve while they are playing. The first is to provide a clear rhythm and swing. The second is to play a melody or improvised solo with the right hand. Jazz pianists are also expected to help guide the band into chord changes with the help of notes leading up to the chord change.

It is quite a challenge for pianists to meet these 3 demands at the same time. Most jazz pianists are quite skilled in this art and are able to maintain this while planning unique improvisations.

If the intend to be great at playing the piano in a jazz band, you need to master these styles and techniques.

By: Mary Nicole Hicks

Jazz Piano – the History

admin — Wed, 02 Dec 2009 06:27:54 +0000

Jazz Piano is an integral part of jazz idiom since it has been incepted in both ensemble and solo settings. Due to its harmonic and melodic nature, the instrument is quite important for understanding the jazz arranging and theory. Along with a jazz guitar, a jazz piano is also one of those instruments of jazz combo which may be played with chords as with a trumpet or saxophone.

If you are into practice jazz piano you must know about jazz practice tool where chords are the primary substance in the instrument, and the second skill you will have to learn is how to play jazz piano with swing rhythm. Then is the skill of improvisation which requires you to make something on the spot. This is a skill that requires tremendous skills and extreme knowledge of the piano.

Earlier, the jazz piano used to be heavily stride technique and it was often played solo. Historically influential promoters of early piano include Earl Hines, Jelly Roll Morton, Teddy Wilson and Art Tatum. The playing style of Mary Lou Williams, Wilie Smith and James P. Johnson shaped the history of jazz piano. The 1950s and the 1960s were the golden age of the jazz which created many important and influential jazz piano players. These powerful players included Red Garland, Ahmad Jamal, Don Pullen, Bud Powell, Cecil Taylor and Horace Silver. The jazz pianists require an exclusive skills set and the piano’s extended range as a playing instrument offers the solo players an exhaustive variety of choices. One can use bass register for playing a pattern of ostinato such as that of a melodious counterline or boogie woogie emulating the playing of upright bass. Stride piano is a style of playing in which the left hand of the player changes positions rapidly while he plays notes in bass register and the chords in tenor register. This can also be done in a more syncopated variant.

Bill Evans sat at the front line of new generation players who emerged in 1960s including Chick Corea, John Taylor, Dave Brubeck and Keith Jarrett. Today, the popular figures in the field of jazz piano include Bill Charlap, Brad Mehldau, Jacky Terrasson, Danilo Perez and Geoffrey Keezer.

By: Akhila Choudhary

Great Jazz Pianists and Their Contributions to Music

admin — Thu, 26 Nov 2009 23:05:49 +0000

Some of the greatest piano players in history became known for their proficiency in jazz. Technicality and a heavy reliance upon the ability of the musician to improvise makes jazz piano one of the hardest styles to learn. That does NOT mean, however, that it can’t be learned, but to get to the highest rungs a pianist must have lots of talent, a great ear, and the ability to improvise.

The birth of jazz music in the early 1900s was a significant period in musical history. Many of those who are considered among the greatest jazz pianists of all times were pioneers of the genre during this period. Jazz evolved from musical styles that African slaves brought to America. Therefore, its inception can largely be attributed to the early African-American community. African-American pianists, such as Scott Joplin and Ernest Hogan, are considered to be among the fathers of ragtime music. Although the ragtime era only lasted a few years, it was a precursor to, and contemporary of, the jazz era.

Many of the earliest and greatest jazz pianists were African American. For this reason, jazz music had something of a hurdle to overcome. While many embraced jazz as a new and exciting genre, others didn’t. The emancipation of African slaves was still a fresh memory, and many people still carried strong attitudes of racism.

Jazz’s public image changed slowly over the first two or three decades of the 20th century. Great African-American jazz pianists of the early to mid 1900s were instrumental in helping transform the perception of jazz. African-American artists like Erroll Garner, Theoloius Monk, Count Basie, Duke Ellington and Oscar Peterson brought a level of class to the genre that was undeniable. In fact, the Count Basie orchestra was pivotal to the jazz culture of New York for half a century. Noteworthy musicians in and of themselves, they also provided back-up for critically acclaimed singers like Billie Holliday and Big Joe Turner.

Count Basie’s association with Ella Fitzgerald is both historically and musically significant. The 1963 album the two made together is remembered by critics as possibly the greatest recording of her career. Count Basie also made recordings with Frank Sinatra, Sammy Davis Jr. and Tony Bennett. These match-ups lent even more credibility to jazz as a distinct genre.

The evolution of jazz saw many changes over the ensuing decades. More branches and sub-genres developed. In fact, jazz music fell out of favor with the public for several years in the 1980s. There was controversy within the musical community over the fusing of so many different types of music with jazz. Some purists viewed it as “watering down” the art form. Other musicians and fans see jazz music as a culmination of many types of music and view blending it with rock as simply another variation generally known as “fusion”.

Contemporary jazz artists have brought jazz back around into public favor in the 21st century. Today’s great jazz pianists, like Diana Krall, Harry Connick Jr. and Norah Jones bear living proof of this by number of albums sold. While some write off their work as “pop” jazz, many believe they are instrumental in keeping jazz alive in the new millennium.

By: Duane Shinn

Jazz Piano and Style

admin — Thu, 15 Oct 2009 09:38:55 +0000

Jazz Piano Lessons – A Whole New Approach

admin — Sun, 04 Oct 2009 22:37:05 +0000

Jazz. Just the word alone sounds musical. If you’re looking for jazz piano lessons and a new way to play jazz piano, read on!

For the most part, jazz piano lessons begin with the study of chords. And that’s a good thing! But chords alone will not help you make music. Sure, chords are important. But so is the other half of learning piano improvisation and that has everything to do with TRUSTING YOUR INTUITION!

This is where the usual jazz piano lesson routine falls apart. You’re taught chords yes. But what do you do with these chords? You create music with them.

Now, most jazz students have as their goal, the ability to comp. They want to be part of a trio or duo or some other combination of musical group. The most common of these is the jazz trio. Here we have keyboards, bass, and drums. And this makes a very nice combo. But if you’re interested in playing solo, you have a different problem.

The solo jazz pianist has to not only know how to play chords, but how to read from a lead sheet. A lead sheet gives you the chord symbols and the melody line and that is all you need to create your own arrangements.

There are many fine books out there for the aspiring jazz pianist to learn the art of soloing. But one thing most of these books don’t teach you is how to improvise and compose YOUR OWN MUSIC!

It’s no surprise that there’s a shortage on this kind of instruction. It’s not in high demand. As I mentioned before, most jazz pianists in training want to learn how to play in a group setting. Wouldn’t it be nice to be able to learn how to compose your own music?

If you understand and can play 4 and 8-bar phrases, you’re already aware of the importance of repetition and contrast in music. Repetition and contrast are the cornerstones of composition.

Listen, if you’re already taking jazz piano lessons and want to learn the art of composition on your own, study and learn how to play in 4 and 8-bar phrases. It will serve you well in the long run.

By: Edward Weiss

Great Jazz Pianists and Their Contributions to Music

admin — Tue, 11 Aug 2009 15:31:41 +0000