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Posts Tagged ‘Jazz Pianists’

Jazz Piano and Style

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The piano or keyboard is an instrument that can be played in a solo performance or it can be part of a band. Jazz bands make heavy use of pianos since jazz began. The reason for this is that pianos along with guitars are some of the few instruments in a jazz band that can play chords in addition to a melody or counter melody.

In the past, a jazz pianists main role was to keep tempo with a combination of repetitive chords, but in recent years this has changed. Jazz pianists now days are able to select from a multitude of styles and techniques that they will use to accompany a band or singer. Short and sustained chordal or melodic fragments are used.

Experienced jazz pianists are not only great at sight-reading, but can also improvise chord symbols and adapt to the various playing styles of jazz bands. A jazz pianist must balance this improvisation and interpretation with the music style of the band.

The extended range that the piano provides also helps a jazz pianist with creating unique sounds that other instruments in the jazz band can not create.

Jazz pianists have 3 goals that they aim to achieve while they are playing. The first is to provide a clear rhythm and swing. The second is to play a melody or improvised solo with the right hand. Jazz pianists are also expected to help guide the band into chord changes with the help of notes leading up to the chord change.

It is quite a challenge for pianists to meet these 3 demands at the same time. Most jazz pianists are quite skilled in this art and are able to maintain this while planning unique improvisations.

If the intend to be great at playing the piano in a jazz band, you need to master these styles and techniques.

By: Mary Hicks

Jazz Piano Lessons – A Whole New Approach

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Jazz. Just the word alone sounds musical. If you’re looking for jazz piano lessons and a new way to play jazz piano, read on!

For the most part, jazz piano lessons begin with the study of chords. And that’s a good thing! But chords alone will not help you make music. Sure, chords are important. But so is the other half of learning piano improvisation and that has everything to do with TRUSTING YOUR INTUITION!

This is where the usual jazz piano lesson routine falls apart. You’re taught chords yes. But what do you do with these chords? You create music with them.

Now, most jazz students have as their goal, the ability to comp. They want to be part of a trio or duo or some other combination of musical group. The most common of these is the jazz trio. Here we have keyboards, bass, and drums. And this makes a very nice combo. But if you’re interested in playing solo, you have a different problem.

The solo jazz pianist has to not only know how to play chords, but how to read from a lead sheet. A lead sheet gives you the chord symbols and the melody line and that is all you need to create your own arrangements.

There are many fine books out there for the aspiring jazz pianist to learn the art of soloing. But one thing most of these books don’t teach you is how to improvise and compose YOUR OWN MUSIC!

It’s no surprise that there’s a shortage on this kind of instruction. It’s not in high demand. As I mentioned before, most jazz pianists in training want to learn how to play in a group setting. Wouldn’t it be nice to be able to learn how to compose your own music?

If you understand and can play 4 and 8-bar phrases, you’re already aware of the importance of repetition and contrast in music. Repetition and contrast are the cornerstones of composition.

Listen, if you’re already taking jazz piano lessons and want to learn the art of composition on your own, study and learn how to play in 4 and 8-bar phrases. It will serve you well in the long run.

By: Edward Weiss

Great Jazz Pianists and Their Contributions to Music

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Some of the greatest piano players in history became known for their proficiency in jazz. Technicality and a heavy reliance upon the ability of the musician to improvise makes jazz piano one of the hardest styles to learn. That does NOT mean, however, that it can’t be learned, but to get to the highest rungs a pianist must have lots of talent, a great ear, and the ability to improvise.

The birth of jazz music in the early 1900s was a significant period in musical history. Many of those who are considered among the greatest jazz pianists of all times were pioneers of the genre during this period. Jazz evolved from musical styles that African slaves brought to America. Therefore, its inception can largely be attributed to the early African-American community. African-American pianists, such as Scott Joplin and Ernest Hogan, are considered to be among the fathers of ragtime music. Although the ragtime era only lasted a few years, it was a precursor to, and contemporary of, the jazz era.

Many of the earliest and greatest jazz pianists were African American. For this reason, jazz music had something of a hurdle to overcome. While many embraced jazz as a new and exciting genre, others didn’t. The emancipation of African slaves was still a fresh memory, and many people still carried strong attitudes of racism.

Jazz’s public image changed slowly over the first two or three decades of the 20th century. Great African-American jazz pianists of the early to mid 1900s were instrumental in helping transform the perception of jazz. African-American artists like Erroll Garner, Theoloius Monk, Count Basie, Duke Ellington and Oscar Peterson brought a level of class to the genre that was undeniable. In fact, the Count Basie orchestra was pivotal to the jazz culture of New York for half a century. Noteworthy musicians in and of themselves, they also provided back-up for critically acclaimed singers like Billie Holliday and Big Joe Turner.

Count Basie’s association with Ella Fitzgerald is both historically and musically significant. The 1963 album the two made together is remembered by critics as possibly the greatest recording of her career. Count Basie also made recordings with Frank Sinatra, Sammy Davis Jr. and Tony Bennett. These match-ups lent even more credibility to jazz as a distinct genre.

The evolution of jazz saw many changes over the ensuing decades. More branches and sub-genres developed. In fact, jazz music fell out of favor with the public for several years in the 1980s. There was controversy within the musical community over the fusing of so many different types of music with jazz. Some purists viewed it as “watering down” the art form. Other musicians and fans see jazz music as a culmination of many types of music and view blending it with rock as simply another variation generally known as “fusion”.

Contemporary jazz artists have brought jazz back around into public favor in the 21st century. Today’s great jazz pianists, like Diana Krall, Harry Connick Jr. and Norah Jones bear living proof of this by number of albums sold. While some write off their work as “pop” jazz, many believe they are instrumental in keeping jazz alive in the new millennium.

By: Duane Shinn