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Jazz Guitar Pickups – Putting The Swing On The String

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Traditional jazz guitar pickups are usually the P90 soap bar type or the humbucker pickup. If you look at the classic jazz guitar, it is a hollow body arch top type with the pickup on the neck.

Some Jazz Guitar Pickup Facts

The electric jazz guitar pickups are of the electromagnetic type. These transmit the vibration in the string to an amplifier. Electric guitars can have both single coil and humbucker pickups. While both work similarly, they sound quite different. Humbuckers use two single coil pickups that are wired together to produce a thick warm sound. Single coils tend to have a lot of electric interference and to avoid this a differential amplifier is used. Different Humbuckers produce different kinds of sounds. The jazz Humbuckers are rich with an even tone to produce the clean sound associated with jazz guitar pickups.

Selecting The Jazz Guitar Pickup

If you look at electric guitars, most of them have two pickups – one near the neck and the other near the bridge. By using the pickup selector switch, you can opt for the appropriate pickup to pick up the string’s vibration and send it to the amplifier. When the pickup selector switch is turned up, the neck or rhythm pickup picks up the string’s sound. When the switch is turned down, the bridge pickup picks up the string’s sound. If the switch is in the middle position, both the pickups pick up the string’s sounds. Usually, the pickup whose proximity is more to the next has a warmer and sweeter sound. The one near the bridge can sound brighter. It is easy to see from this which one jazz players will use – obviously the neck pick up. The bridge pickup is ignored.

To avoid the possibility of notes getting mixed when the player plays fast, today’s jazz guitar pickups are usually the floating type. Some jazz guitars don’t use any pickups. This helps them achieve a clean sound.

Instead of the parallel bracing commonly used, Cross bracing is used to tone down the sound and increase sustain. This results in the jazz guitar’s tone sounding like the traditional steel string acoustic guitar.

Some jazz guitar pickups are embedded in the instrument so that sustain is increased. These show limited acoustic response. Many jazz guitars have the pickup installed on the underside of the ebony finger rest. The finger rest fixes to the side of the guitar’s neck via an aluminum bracket and a couple of screws. The pickup is fixed with epoxy. The large contact surface strengthens the instrument. Large finger rests are not preferred basically because they block the F hole on the right side, and this completely changes the quality of the sound projection.

A common jazz guitar pickup used is the Benedetto S-6 mini humbucker, especially for the arch top design. A highly durable “ebonova” housing protects it. You also get jazz guitar pickups that can be fixed so as to not affect or change the acoustic characteristics of the guitar. Some fix with the help of screws at the neck.

Positioning the jazz guitar pickup in relation to the finger rest is very crucial because the sound is likely to be unclear if the pickup is too close to the strings. Being too far from the strings, on the other hand, can lower the output level drastically.

Jazz guitar pickups are a tricky issue in terms of the effect they can have on the sound output. This results in many jazz guitar players preferring to have theirs custom made. As mentioned earlier, many players even prefer to have no pickups at all.

By: Logan Young

Buying a Good Jazz Guitar

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If you are planning to learn how to play the guitar and really want to be good at it, I would suggest that you start out with learning Jazz. Jazz guitar playing does not have any actual base of music theory but instead, is a theory which is a collection of ideas which were passed on from musician to musician. Jazz players never really needed music theory to come up with their music, but instead, needed to thoroughly know the instruments enough to give a rhythm to accompany the other jazz musicians. Jazz playing changed over the years and now has become a base for many other genres of music.

It is said, if a guitarist knows how to play jazz, he is really good. This is because jazz playing has a vast background and includes a huge number of unique jazz scales and licks. Jazz playing will teach you how to create your own strumming patterns and chord progressions, making your music very unique. When learning jazz theory, you will learn to rely mostly on the seventh and third notes of a chord. Jazz may seem like fun, but requires a good amount of practice and dedication. However, learning jazz is what I would recommend for anyone who is planning to start out with guitar playing.

When going to buy a jazz guitar, it is best to go with someone who already knows how to play the guitar, and plays it well. A person who has good experience with guitars will be the best one to tell whether or not a guitar is good. If you are buying the guitar online then you should consider only buying a reliable make. Also, read testimonials of people who have bought a guitar from the site you are planning to purchase your guitar. The prices online will definitely be a lot cheaper than at a regular music store, and you can also find places that offer other things along with the guitar.

Not all guitars are meant for jazz. Back in the day, before solid bodied electrics were made, people used acoustic guitars. But now however, the hollow bodied electric guitar is the ideal choice for a jazz guitar. When buying an electric guitar, make sure that you do not buy one without doing a good amount of research. The ideal jazz guitar is a hollow bodied electric guitar. Makes like Gibson and Epiphone are commonly used in jazz guitar playing and are known to be some of the best jazz guitars. Do not go in for a solid bodied guitar if you want to only focus on jazz since the tone of those guitars won’t suit the genres.

If you plan to play other genres of music also, then you should probably think of going in for a Gibson or a Fender. Guitar makes like Ibanez and Kramer are really good but mostly meant for heavy metal. The tone of the guitar mainly depends on it’s pickups as well as the design of the body. Archtop guitars are typical jazz guitars and you can find them in many makes. Make sure that the guitar you buy has a floating bridge to allow adjustments so as to increase or decrease the action. Once you get a good jazz guitar you will not have a problem with spending time learning.

By: Shoked Mohol

How to Use the Diminished Scale in Jazz Improvisation

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The diminished sound has long been a favorite of jazz players. A diminished scale has a very predictable and repeatable pattern. It is spelled half step/whole step/half/whole/half/whole etc. There are 12 dim scales that start with a 1/2 step, but you can imagine that with a pattern that is so repetitious, eventually you will start repeating yourself.

In reality there are only three. The following are the same: G Bb Db E. If I start anyone of these diminished scales I will notice that they are the same notes, just starting in different places (much like playing in modes). The next scales that are the same are: A C Eb F#. The last set that is the same is: B D F Ab. If a player learns G, A and B diminished scales, in reality they have learned all 12 scales. The trick is to play the correct one.

If a composer wants the diminished scale to be played, the symbol is G7b9. In a case like this, I would use the G dim. Scale. Note that I could also use the Bb, Db or E diminished scale since they are all identical.

The symbol G7b9 does not fully describe all of the notes that are in the chord symbol. In addition to having a b9, it also contains a #9 and a #4. You will also notice that it does not contain the natural 9. Keep in mind that the chord symbol is not necessarily the name of the scale I will use e.g. G7b9 doesn’t mean I play a G7b9 scale, but I use a diminished scale. So, if I see D7b9 I can play a D diminished scale starting with a 1/2 step.

The normal way to form a chord for any given scale is to take the 1 3 5 7 9 of the scale. With diminished scales it is slightly different. The basic chord for any diminished scale is formed in the following way: base the chord on the regular dominant 7th scale and spell it as 1 3 5 b7 b9.

Remember that the chord has a b7 because it is a dominant 7th. At this time we need to discover the other 12 diminished scales. ALL of our dim scales so far start with a 1/2 step. The other 12 start with a Whole step. As you may have figured out this brings our total number of them to 24; there are 12 that start with a whole step, and 12 that start with a half step. You may also have figured that there are still only three diminished scales. The chord symbol for a diminished scale starting with a whole step is G followed by a small circle. This is called fully diminished. The basic chord is 1 b3 b5 6 8. Notice that it is a stack of minor third intervals. This chord is NOT a dominant.

Now if I know a G diminished that starts with a 1/2 step, I really have learned the following scales: G, Bb, Db and E (all of these starting with a 1/2 step) and Ab, B, D and F (all of these starting with a whole step). I learn one and I know eight; eight for the price of 1! Now for the application of the diminished.. Any time I have a dominant 7th resolving up a 4th (down a 5th) to the one chord, I can replace the dominant with the diminished. For example: D-7 G7 Cmaj, becomes D-7 G7b9 Cmaj.

By: Pete Swiderski