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Posts Tagged ‘Jazz Players’

Jazz Guitar Strings – The Right Ones For That Perfect Sound

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Serious jazz players are quite particular about the jazz guitar strings they choose and use. They expect the exact sound they want. There are different kinds of jazz guitar strings available with reputed manufacturers like Thomastik-Infeld, D’Addario, Elixir, etc. Finally it all boils down to choosing the jazz guitar strings that sound just right for the user.

Types Of Jazz Guitar Strings

Flatwound – probably the most popular for Swing. These are usually flat ribbon wound strings with a polished nickel surface giving the player the flexibility and the kind of smooth sound that is expected.

Roundwound – for BeBop jazz. While several jazz players don’t really go for roundwound strings, manufacturers like Thomastik-Infeld have wooed jazz players with the way they manufacture these. These strings are dense, although of thin diameter and play wonderfully at high frequencies, so much so that the tone has the purity of piano notes.

Most high quality jazz guitar strings are crafted with a core of carbon steel rather than the usual hex cores. This makes them play better and also vibrates well without the ‘preferred motion axis’. These string ends are wrapped in silk to keep the winding intact and to also increase their life.

For those who play blues jazz – and practically everyone who plays jazz does play the blues – the flatwound chrome strings they use are the most preferred. This is because these strings do not create the finger noise associated with other strings, resulting in easy play and better style. But the half round wounds are also popularly used, as they seem smoother and there is more clarity of sound with them compared to flatwounds, making them sound great when playing the blues.

Making The Choice For Jazz Guitar Strings

It is vital, as any jazz guitar player knows, to choose the strings that work best for you, and also make sure you replace them properly when necessary to avoid your guitar detuning. The main things to remember in making your choice are: the brand you select, the composition of the strings, string gauge, and the type of winding.

As far as brand is concerned, you can try a few and choose the ones you feel most comfortable with. As mentioned earlier, the most reputed are Thomastik-Infeld, D’Addario, Elixir, and others.

Guitar strings are usually composed of a core high carbon steel wire with a wrap wire wound around them, which influences the sound of the guitar strings. This material could be nickel, considered the best, or stainless steel for brighter tones, or phosphor bronze for a warmer sound mostly used in acoustic guitar strings. Most classical guitars have nylon strings.

String Gauge refers to the diameter of the first and last guitar string since most guitar strings are sold as sets. Jazz guitar string sets are usually available as .012 – 0.054-inch diameter, which is heavier than those used for other music styles, so that they result in a thicker tone with increased sustain. Most jazz guitarists just starting out to play use lighter sets to first get used to them and then move on to the heavier type. It should be borne in mind that as you progress to an advanced playing level, and switch to a string set of heavier gauge, you must also adjust your guitar neck and the intonation.
The roundwound type of strings have a louder and brighter sound while the flatwound type has a flat ribbon wire with duller, smoother sound. Most jazz guitar strings are of the flatwound type.

Some Jazz Guitar String Maintenance Tips

To get your jazz guitar strings to last longer, remember to wipe them down using a dry cloth after each playing session. It is better to replace your strings just as they begin to wear out. Preferably change the entire set since changing just that one broken string can lose the sync of your sound.

By: Brian Trainer

Jazz Guitar Tips and Tricks – Learning Jazz Guitar Playing

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Jazz is more complicated than any other music genres as far as playing guitar is concerned. But there are a lot of jazz guitar tips and tricks that you can use to make it easier for you and to help you become a better jazz player and a well-rounded guitarist.

At the top of the list of the important jazz guitar tips is knowing your scales and modes. Internalizing jazz guitar scales is considered to be one of the most challenging part of learning to play jazz because of the many scales to be learned and mastered. These scales provide the basis for the improvisational sound of jazz music.         

When it comes to modes, it becomes confusing because many guitar players call modes as scales. Technically, a mode is a scale but modes are used by many musicians to open doors to new sounds. Jazz players rely on the major and minor modes in setting the tone of their music. They use these to get the great flavors of music out of the scales aside from just using the full neck of their jazz guitars.

Other important jazz guitar tips include eliminating the feedback produced by the guitar, using a software to practice improvisation, and using a metronome in your practice to achieve good timing.

In learning to play jazz guitar, you should also learn and memorize the lyrics to help you recall the music better. Recording yourself will also give you a clear picture of how does your guitar playing sound.

And of course, you cannot play jazz guitar better if your guitar itself is not in a good condition. Before starting to play, check first if it needs some tweaking. You will know if it needs a tune-up when it begins to feel tiring to play.

The basic adjustments you need to do are in the truss rod, the bridge, height of the pickups and intonation. To ensure that the strings are on the proper height, you have to regulate the nut. Examine also the high and low frets and level them as needed.

In adjusting the intonation, do it in small increments and consider your ear’s accuracy in deciding the pitch between two notes. For more accurate results, use a highly accurate tuner with analog-style needle display.

Other helpful jazz guitar tips that will bring your performance to the highest level are ensuring the proper location of your guitar and your hands. The strap of your guitar should lift the instrument up to about midway on your chest. It will feel tighter but will give your left hand more mobility. Your right hand should not also exert much effort in picking out the notes.

To sum it up, you should be familiar with the important components of learning jazz guitar which include effective scale usage, harmonization, rhythm, melody and jazz chord improvisation.

Also, learning jazz guitar requires an astonishing skill that you can’t develop by just relying on your music sheets or music teachers alone, so keep in mind to practice and persevere.

By: Carolyn Anderson

Jazz Improvisation is a Study in Theory

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Jazz has long been considered to be one of the most demanding forms of contemporary music to master. So much so, that many would be Jazz musicians will spend years learning music theory, alongside developing advanced playing techniques, simply to get a start in this fascinating musical genre.

The major difference between Jazz and most other forms of music is in the fact that improvisation is not only encouraged, it forms the very backbone of the style. Although there are many Jazz classics, no two musicians or bands will play these songs the same. They will follow the basic progression, but will be given a new inflection through personal and group improvisation.

The ability to play improvisations relies heavily upon two things; first the musicians creativity, and secondly upon the musicians knowledge of musical theory. Of course, there are many fine Jazz players out there who will tell you that they do not know any music theory. The simple truth of the matter is that they do, they just do not know it. They have spent years learning to play by ear, and although they cannot name the correct musical terms for what they do when they are playing, they are clearly demonstrating a deep knowledge of music theory at a base level.

For those wishing to take up playing Jazz, then a firm grounding in music theory is entirely recommended. Even the rhythm section of a Jazz band is encouraged to improvise and embellish the piece being played. Rhythm guitar players will be called upon to construct complex chord patterns, including augmented, diminished, 5th, 9th and 13th chords. They will also be expected to follow the soloist, should they decide to shift tempo, key or mode.

As a soloist, playing Jazz is all about creativity, backup up by an understanding of what they are doing musically. Many Jazz musicians, when questioned about scales, will smile and reply, “What is a scale? I don’t know any!” This is something of an insider’s Jazz joke, as most Jazz soloists play what they feel, not what they know works mathematically. Of course, this is far from the truth, but a Jazz player will have transcended standard scales in many ways. Instead, using their ear, they will be able to find step off points, into new scales and modes, shifting the music as they go. This of course, requires an immense amount of theoretical knowledge, either learned conventionally, or learned over years of playing by ear.

Playing Jazz can be one of the most rewarding experiences any guitar player is likely to experience. A good Jazz performance will see the musician develop ideas, and musical concepts on the fly, breathing fresh life into Jazz classics, while enthralling the audience like a true virtuoso. Although a thorough understanding of music theory is not a prerequisite for becoming a competent Jazz player, it can be seen as an effective short cut, removing the requirement to play Jazz for decades before becoming entirely competent in its application.

By: Bill Kernodle