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Posts Tagged ‘Jazz Scales’

Jazz Piano

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Jazz piano is one of the most vibrant, energetic, specialized types of music. Famous jazz artists you may want to listen to are Herbie Hancock, Keith Jarret, Bill Evans, to name but a few. To learn jazz piano you need to take some time to listen to jazz CD’s and maybe watch DVD’s as well. To learn jazz piano, one needs to be very patient and dedicated to practicing the genre.

Jazz piano is characterized by a lot of improvisation. A jazz musician can be given a fake music sheet or chord chart and he can improvise on the spot over those chord progressions. It is recommended that a jazz musician know or have standard songs in their repertoire. Standard songs include songs like “Willow Weep for Me,” “Summertime,” and “Georgia on My Mind” to name but a few. Standard songs are songs that have been covered by many recording artists in the past, usually every year. For example one may consider the gospel song “Amazing Grace” a standard gospel song because a lot of artists have covered the song throughout the years.

Knowledge of scales and chords are essential tools needed to be a good jazz musician, let alone the technique needed to play this genre. As a jazz musician you will need to practice different types of scales, chords, arpeggios, staccato playing, legato playing, playing chords on the left hand while playing scales in the right hand at the same time.

To learn jazz you need to start with the basics: minor and major scales and minor and major chords. Once you master these then you can go forth to learning advanced chords(jazz chords) and scales. These chords include diminished, dominant, major nine, tritone chords, etc. Advanced scales will entail learning lydian, diminished, chromatic, melodic minor scales, for example.

You must remember that when it comes to playing the piano, it is not how you play but how you play is very essential as well. This is the reason why you need technique: how hard or soft do you play the notes, how you sit at the piano, breathing, how you position your hands and fingers on the piano, playing chords and scales, etc.

You will definitely need resources to play the piano, someone to hold you by the hand. The key to mastering jazz piano is to learn (get as much information as possible), patience and practice!practice!practice!

By: Jay Mtimkulu

Learning the Jazz Guitar Scales – Basic How-To’s

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When learning to play jazz guitar, you’ll have to master learning the scales. Most players are led to believe that all they need to do is learn how to finger the scale and that’s where their learning ends. When it comes time to play solos and improvs, they get frustrated because they find it hard to just play. The real problem is not that playing an improvisation is hard or beyond their skill. The real problem is that they haven’t learned to master the scales as they thought they had.

Basically, there are five skills that need to be mastered because they set the foundation for your improvisation and solo play. If you don’t master all five skills in your lessons, then you will have a difficult time doing the improvisation because you don’t truly know the scale and as a result won’t have a feel for the scale. The five skills are: ears, eyes, intellect, fingers and application. Let’s see how they can work for us.

How-to #1: Learn to hear the sound of the scale so that when you hear a tune, you know what notes they are. This is an amazing skill that most people don’t develop because they rely on music sheets, fakebooks and their teachers.

How-to #2: Learn to see the scale on the fretboard. Your eyes will help you develop technically correct hand and finger positioning technique when playing the scale.

How-to #3: Learn to play scales from any position on the fretboard. Know your gypsy jazz guitar inside and out. Once you learn the finger positions for a scale, practice playing the scale starting from the different notes.

How-to #4: Learn the music theory behind the scale. Know the notes, the tones and where the scale can be played in an improv.

How-to #5: Learn to use the scale in a musical way. Many players don’t know where a tune might fit into a short improvisation. Mastering this area definitely will take some work, finding out what works and what doesn’t.

People can play music, but there are many people who don’t know how to feel their way around a fretboard. They get lost without a music sheet and you and I both know that these players can’t perform a solo at all. Instead of focusing on which amp to buy, work on honing your craft and working more closely with mastering the scales. Once you’ve thoroughly learned this technique, you’ll be playing improvisations and solos like you’ve always dreamed of doing!

By: Logan B Young

How to Use Major Scales in Jazz Improvisation

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Major Scales and Harmony. One thing that can be confusing to beginning improvisers is how many different ways exist to write the same thing. When a composer wants you to play C major, any of the following can be used. C, CM, CMA, CMA7, C (followed by a triangle), CMaj. All of those can be followed by a 7, 9, 11, or 13. The number that follows means that you can play the chord up to the 7th or 9th or whatever number is there. Even if a chord doesn’t say Cmaj9, we can always play it up to the 9th. I will use in this article the symbol Cmaj7. This is pretty standard. When a composer puts Cmaj7 in a measure he intends that you improvise using sounds from a C major scale and chord.

If I play any note in the chord, you’ll notice that they all sound good. Some notes are more “colorful” and interesting than other notes. You’ll find that 1 is a very stable note, but also very boring. The same applies to the 3rd and the 5th. The notes that are more interesting are the 7th and the 9th. If you want to go even higher the 11th and the 13th are very colorful. Let’s talk about the 11th degree (the same as the 4th) for a minute. This particular note does not work well if you just play it and hold it out. The reason is a little confusing, but you can remember that it is because there is only 1/2 step between the 3rd and 4th notes. When they are played against each other, the sound is unsettled. If you are just playing a scale and play the 4th note, you won’t notice any problem because it is just a passing tone. If I land on the note and force it on you, your ear will disagree. The most common remedy to this problem is to raise the 4th (or 11th) up1/2 step. This is a #11 or #4 (sharp 11 or sharp 4) chord. Even though the sharp 11 it is not written in our chord symbol of Cmaj7 we can add it in.

So, I see the Cmaj7 and know that I can use the C major scale or the C major chord up to the 13th if I want (watch that 4 and 11)!

By: Pete Swiderski