Jazz Festivals » Jazz Scales

Jazz Piano

admin2 — Thu, 26 Aug 2010 16:00:45 +0000

Jazz piano is one of the most vibrant, energetic, specialized types of music. Famous jazz artists you may want to listen to are Herbie Hancock, Keith Jarret, Bill Evans, to name but a few. To learn jazz piano you need to take some time to listen to jazz CD’s and maybe watch DVD’s as well. To learn jazz piano, one needs to be very patient and dedicated to practicing the genre.

Jazz piano is characterized by a lot of improvisation. A jazz musician can be given a fake music sheet or chord chart and he can improvise on the spot over those chord progressions. It is recommended that a jazz musician know or have standard songs in their repertoire. Standard songs include songs like “Willow Weep for Me,” “Summertime,” and “Georgia on My Mind” to name but a few. Standard songs are songs that have been covered by many recording artists in the past, usually every year. For example one may consider the gospel song “Amazing Grace” a standard gospel song because a lot of artists have covered the song throughout the years.

Knowledge of scales and chords are essential tools needed to be a good jazz musician, let alone the technique needed to play this genre. As a jazz musician you will need to practice different types of scales, chords, arpeggios, staccato playing, legato playing, playing chords on the left hand while playing scales in the right hand at the same time.

To learn jazz you need to start with the basics: minor and major scales and minor and major chords. Once you master these then you can go forth to learning advanced chords(jazz chords) and scales. These chords include diminished, dominant, major nine, tritone chords, etc. Advanced scales will entail learning lydian, diminished, chromatic, melodic minor scales, for example.

You must remember that when it comes to playing the piano, it is not how you play but how you play is very essential as well. This is the reason why you need technique: how hard or soft do you play the notes, how you sit at the piano, breathing, how you position your hands and fingers on the piano, playing chords and scales, etc.

You will definitely need resources to play the piano, someone to hold you by the hand. The key to mastering jazz piano is to learn (get as much information as possible), patience and practice!practice!practice!

By: Jay Mtimkulu

Learning the Jazz Guitar Scales – Basic How-To’s

admin2 — Sun, 22 Aug 2010 05:25:59 +0000

When learning to play jazz guitar, you’ll have to master learning the scales. Most players are led to believe that all they need to do is learn how to finger the scale and that’s where their learning ends. When it comes time to play solos and improvs, they get frustrated because they find it hard to just play. The real problem is not that playing an improvisation is hard or beyond their skill. The real problem is that they haven’t learned to master the scales as they thought they had.

Basically, there are five skills that need to be mastered because they set the foundation for your improvisation and solo play. If you don’t master all five skills in your lessons, then you will have a difficult time doing the improvisation because you don’t truly know the scale and as a result won’t have a feel for the scale. The five skills are: ears, eyes, intellect, fingers and application. Let’s see how they can work for us.

How-to #1: Learn to hear the sound of the scale so that when you hear a tune, you know what notes they are. This is an amazing skill that most people don’t develop because they rely on music sheets, fakebooks and their teachers.

How-to #2: Learn to see the scale on the fretboard. Your eyes will help you develop technically correct hand and finger positioning technique when playing the scale.

How-to #3: Learn to play scales from any position on the fretboard. Know your gypsy jazz guitar inside and out. Once you learn the finger positions for a scale, practice playing the scale starting from the different notes.

How-to #4: Learn the music theory behind the scale. Know the notes, the tones and where the scale can be played in an improv.

How-to #5: Learn to use the scale in a musical way. Many players don’t know where a tune might fit into a short improvisation. Mastering this area definitely will take some work, finding out what works and what doesn’t.

People can play music, but there are many people who don’t know how to feel their way around a fretboard. They get lost without a music sheet and you and I both know that these players can’t perform a solo at all. Instead of focusing on which amp to buy, work on honing your craft and working more closely with mastering the scales. Once you’ve thoroughly learned this technique, you’ll be playing improvisations and solos like you’ve always dreamed of doing!

By: Logan B Young

How to Use Major Scales in Jazz Improvisation

admin2 — Wed, 18 Aug 2010 00:22:47 +0000

Major Scales and Harmony. One thing that can be confusing to beginning improvisers is how many different ways exist to write the same thing. When a composer wants you to play C major, any of the following can be used. C, CM, CMA, CMA7, C (followed by a triangle), CMaj. All of those can be followed by a 7, 9, 11, or 13. The number that follows means that you can play the chord up to the 7th or 9th or whatever number is there. Even if a chord doesn’t say Cmaj9, we can always play it up to the 9th. I will use in this article the symbol Cmaj7. This is pretty standard. When a composer puts Cmaj7 in a measure he intends that you improvise using sounds from a C major scale and chord.

If I play any note in the chord, you’ll notice that they all sound good. Some notes are more “colorful” and interesting than other notes. You’ll find that 1 is a very stable note, but also very boring. The same applies to the 3rd and the 5th. The notes that are more interesting are the 7th and the 9th. If you want to go even higher the 11th and the 13th are very colorful. Let’s talk about the 11th degree (the same as the 4th) for a minute. This particular note does not work well if you just play it and hold it out. The reason is a little confusing, but you can remember that it is because there is only 1/2 step between the 3rd and 4th notes. When they are played against each other, the sound is unsettled. If you are just playing a scale and play the 4th note, you won’t notice any problem because it is just a passing tone. If I land on the note and force it on you, your ear will disagree. The most common remedy to this problem is to raise the 4th (or 11th) up1/2 step. This is a #11 or #4 (sharp 11 or sharp 4) chord. Even though the sharp 11 it is not written in our chord symbol of Cmaj7 we can add it in.

So, I see the Cmaj7 and know that I can use the C major scale or the C major chord up to the 13th if I want (watch that 4 and 11)!

By: Pete Swiderski

Buying a Good Jazz Guitar

admin2 — Sat, 07 Aug 2010 10:44:46 +0000

If you are planning to learn how to play the guitar and really want to be good at it, I would suggest that you start out with learning Jazz. Jazz guitar playing does not have any actual base of music theory but instead, is a theory which is a collection of ideas which were passed on from musician to musician. Jazz players never really needed music theory to come up with their music, but instead, needed to thoroughly know the instruments enough to give a rhythm to accompany the other jazz musicians. Jazz playing changed over the years and now has become a base for many other genres of music.

It is said, if a guitarist knows how to play jazz, he is really good. This is because jazz playing has a vast background and includes a huge number of unique jazz scales and licks. Jazz playing will teach you how to create your own strumming patterns and chord progressions, making your music very unique. When learning jazz theory, you will learn to rely mostly on the seventh and third notes of a chord. Jazz may seem like fun, but requires a good amount of practice and dedication. However, learning jazz is what I would recommend for anyone who is planning to start out with guitar playing.

When going to buy a jazz guitar, it is best to go with someone who already knows how to play the guitar, and plays it well. A person who has good experience with guitars will be the best one to tell whether or not a guitar is good. If you are buying the guitar online then you should consider only buying a reliable make. Also, read testimonials of people who have bought a guitar from the site you are planning to purchase your guitar. The prices online will definitely be a lot cheaper than at a regular music store, and you can also find places that offer other things along with the guitar.

Not all guitars are meant for jazz. Back in the day, before solid bodied electrics were made, people used acoustic guitars. But now however, the hollow bodied electric guitar is the ideal choice for a jazz guitar. When buying an electric guitar, make sure that you do not buy one without doing a good amount of research. The ideal jazz guitar is a hollow bodied electric guitar. Makes like Gibson and Epiphone are commonly used in jazz guitar playing and are known to be some of the best jazz guitars. Do not go in for a solid bodied guitar if you want to only focus on jazz since the tone of those guitars won’t suit the genres.

If you plan to play other genres of music also, then you should probably think of going in for a Gibson or a Fender. Guitar makes like Ibanez and Kramer are really good but mostly meant for heavy metal. The tone of the guitar mainly depends on it’s pickups as well as the design of the body. Archtop guitars are typical jazz guitars and you can find them in many makes. Make sure that the guitar you buy has a floating bridge to allow adjustments so as to increase or decrease the action. Once you get a good jazz guitar you will not have a problem with spending time learning.

By: Shoked Mohol

All About Learning to Play Jazz Guitar

admin — Wed, 23 Dec 2009 01:36:27 +0000

Let’s get rid of one myth right here! One common myth floating around is that jazz music is complicated. Some people have the idea that it can only be learned by unraveling the deep mysteries of the inner being – like it’s some sort of mystical experience that requires years of learning theories, scales and chords. That thought alone is overwhelming and as a result, we need to refocus our attention to one thing – keeping it simple.

If you seriously want to become a better jazz guitar player, then keeping it simple is all you need to get where you want to go. Start with the basics. You already know that you’ll need some knowledge of jazz guitar scales and chords. You’ll also need a mentor or a teacher who can help you develop your talent and skill and lastly, you’ll need to begin developing confidence in your playing ability (this means practicing what you’ve learned). For the new player, these basic activities will help you progress in your learning and soon, you’ll be looking for the intermediate and advanced teachings in jazz guitar!

The first step to learning how to play jazz guitar is to invest in some jazz guitar lessons. In the basic type of lesson, you should be learning the different scales and chords from a teacher who isn’t trying to impress you with his or her blinding knowledge and ego. Instead, find a teacher who keeps it simple so that you can grow as a student.

Know that you have to invest some time into your playing and practice! One of the players I met used to avidly videotape his playing the gypsy jazz guitar so that he could improve his playing technique. Another woman I met used to listen to a melody over and over again until she had it solidly in her mind. As she listened to the melody, she attempted to memorize it and recreate it on her guitar. In fact, she’s memorized a lot of tunes that way. A few years ago, I knew of a student who used to go over the lesson he just learned for hours, and I literally mean hours, until he knew it inside and out. I think he was just looking for an excuse to play, though, because even after he knew the lesson, he didn’t quit.

Before you get out there and start buying your jazz guitar amps and other gear, consider if you’ll have the time to do the basic things you need to do to learn all about playing jazz guitar. Set your learning and practice habit up for success by keeping it simple and you will reap the results of your investment!

By: Logan Young

Jazz Guitar Tips and Tricks – Learning Jazz Guitar Playing

admin — Thu, 29 Oct 2009 13:22:09 +0000

Jazz is more complicated than any other music genres as far as playing guitar is concerned. But there are a lot of jazz guitar tips and tricks that you can use to make it easier for you and to help you become a better jazz player and a well-rounded guitarist.

At the top of the list of the important jazz guitar tips is knowing your scales and modes. Internalizing jazz guitar scales is considered to be one of the most challenging part of learning to play jazz because of the many scales to be learned and mastered. These scales provide the basis for the improvisational sound of jazz music.

When it comes to modes, it becomes confusing because many guitar players call modes as scales. Technically, a mode is a scale but modes are used by many musicians to open doors to new sounds. Jazz players rely on the major and minor modes in setting the tone of their music. They use these to get the great flavors of music out of the scales aside from just using the full neck of their jazz guitars.

Other important jazz guitar tips include eliminating the feedback produced by the guitar, using a software to practice improvisation, and using a metronome in your practice to achieve good timing.

In learning to play jazz guitar, you should also learn and memorize the lyrics to help you recall the music better. Recording yourself will also give you a clear picture of how does your guitar playing sound.

And of course, you cannot play jazz guitar better if your guitar itself is not in a good condition. Before starting to play, check first if it needs some tweaking. You will know if it needs a tune-up when it begins to feel tiring to play.

The basic adjustments you need to do are in the truss rod, the bridge, height of the pickups and intonation. To ensure that the strings are on the proper height, you have to regulate the nut. Examine also the high and low frets and level them as needed.

In adjusting the intonation, do it in small increments and consider your ear’s accuracy in deciding the pitch between two notes. For more accurate results, use a highly accurate tuner with analog-style needle display.

Other helpful jazz guitar tips that will bring your performance to the highest level are ensuring the proper location of your guitar and your hands. The strap of your guitar should lift the instrument up to about midway on your chest. It will feel tighter but will give your left hand more mobility. Your right hand should not also exert much effort in picking out the notes.

To sum it up, you should be familiar with the important components of learning jazz guitar which include effective scale usage, harmonization, rhythm, melody and jazz chord improvisation.

Also, learning jazz guitar requires an astonishing skill that you can’t develop by just relying on your music sheets or music teachers alone, so keep in mind to practice and persevere.

By: Carolyn Anderson

Major Jazz Guitar Scales

admin — Fri, 21 Aug 2009 04:40:45 +0000

There seems to be an endless array of scales to learn for jazz
guitar. What are the major jazz guitar scales to learn, if we can
define the major jazz guitar scales that are commonly used, we’d
reduce our workload significantly.

Jazz scales are used by improvisers to convey complex harmonies
common in Jazz. The jazz guitarist must start with the basic
scales, too often the guitarists dives headlong into the more
advanced scales without having a good working knowledge of the
basic scales used in rock, country, bluegrass etc., these scales
are as follows:

* minor pentatonic

* blues scale

* major pentatonic

Once the guitarist can play these scales in every key the next
scale to learn would be the major diatonic scale and it’s
associated modes based on the major scale.

How the modes work:

If we were looking at a piano keyboard we would notice that
without the black keys there are 8 octaves of the C major scale.
If you run your finger left to right along the white keys you
will be playing , the scale of C major even though you happen to
start on a note other than C. This musical fact is the essence of
the modes. A scale can be played from any of it’s notes to any
other of it’s without moving into another key. Actually if you
were to play the scale of C major from F to F an octave higher
you would be playing a nodal scale based on the key of C and the
scale would be called F Lydian.

In every major scale there 7 modes; one for each degree.

Learn the following table -

Play a major scale from note 1 to note 1 above = IONIAN MODE

Play a major scale from note 2 to note 2 above = DORIAN MODE

Play a major scale from note 3 to note 3 above = PHRYGIAN MODE

Play a major scale from note 4 to note 4 above = LYDIAN MODE

Play a major scale from note 5 to note 5 above = MIXO-LYDIAN MODE

Play a major scale from note 6 to note 6 above = AEOLIAN MODE

Play a major scale from note 7 to note 7 above = LOCRIAN MODE

Play a major scale from note 8 to note 8 above = note 1 to 1

All examples above are shown in the key of C major however the
advancing guitarist should practice the modes in every key. The
same formula works for each key:

note 1 to 1 always = IONIAN

note 2 to 2 always = DORIAN

note 3 to 3 always = PHRYGIAN

note 4 to 4 always = LYDIAN

note 5 to 5 always = MIXO-LYDIAN

note 6 to 6 always = AEOLIAN

note 7 to 7 always = LOCRIAN

note 8 to 8 always = note 1 to 1

Each modes unique sequence of intervals creates a mode’s unique
musical (quality) or flavor.

The main thing to keep in mind is that it’s not how many scales
you know but rather how many to “own”, by that I mean how much
you control you have over your scales both intellectually as well
as physically.

The next major jazz guitar scale of importance to learn would be
the harmonic minor scale. Like the modes of major scale the
Harmonic minor scale also has modes built on the different
degrees of the scale.

Here are the names of the modes of the Harmonic minor scale:
the following examples are all derived from the C harmonic minor
scale.

C Harmonic Minor : C-D-Eb-F-G-Ab-B-C

2- D Locrian #6: D-Eb-F-G-Ab-B-C-D

3- Eb Harmonic Major: Eb-F-G-Ab-B-C-D-Eb

4- F Spanish Phrygian: F-G-Ab-B-C-D-Eb-F

5- G Double Harmonic Major: G-Ab-B-C-D-Eb-F-G

6- Ab Lydian b3: Ab-B-C-D-Eb-F-G-Ab

7- B Diminished : B-C-D-Eb-F-G-Ab-B

The real jazz minor scale is the next major jazz guitar scale to
learn. The real jazz minor scale is the jazz variation of the
classical melodic minor scale. An easy way to remember this scale
would be to think of it as a major scale with a flatted third
note.

The real jazz minor scale with it’s various modes. Again, the
real jazz minor scale is presented in the key of C real jazz
minor.

C melodic minor :C-D-Eb-F-G-A-B-C

2- D phrygian (w natural 6th) : D-Eb-F-G-A-B-C-D

3- Eb lydian augmented: Eb-F-G-A-B-C-D-Eb

4- F lydian dominant: F-G-A-B-C-D-Eb-F

5- G mixolydian (w b6th): G-A-B-C-D-Eb-F-G

6- A aeolian (w b5): A-B-C-D-Eb-F-G-A

7- B altered dominant: B-C-D-Eb-F-G-A-B

I would also include the whole tone scale in our list of major
jazz guitar scales to learn.

The note of the C whole tone scale are as follows:

C-D-E-F#-G#-A#-C

There’s a lot of study and practice to gain control of the scales
described so far, particularly to know each scale or mode on all
keys, for many guitarists these are the major jazz guitar scales
to know.

By: Mike P Hayes

Essential Jazz Guitar Scales

admin — Mon, 17 Aug 2009 12:12:59 +0000

Learning jazz guitar can be intimidating and overwhelming for a beginning student. Unlike styles like rock, blues, and classical, jazz guitar demands that a musician master a wide variety of skills, including jazz guitar scales.

If you are absolutely fresh on jazz guitar, the first thing you’ve got to wrap your fingers around is the major scale and its modes. It’s the reference against which all other scales are defined. Learn them in position as well as up and down single strings. It’s also cool to practice them in one, two, and three octaves.

Once you’ve got those under your fingers and in your ears, it’s time to start learning the melodic minor scale on guitar. The difference between a melodic minor scale and a major scale is only one note, the flat third. The melodic minor scale also has some really cool sounding modes, like lydian dominant which works over a 7#11 chord.

It’s also important to learn your pentatonic scales. Most guitarists coming from a rock, blues, or country background are already familiar with the minor and major pentatonic scales, and if you aren’t you have to check them out. The blues scale is also useful.

A common trap that students of jazz guitar fall into is only practicing scales up and down. Of course, it’s important and is the first step to mastering jazz guitar scales. But if you’re at a point where it’s comfortable to play ascending and descending scales and you feel comfortable with the notes, the next step is to start practicing intervals and sequences. Also, try to vary the rhythm in your scale practice.

Learning jazz guitar scales is an essential part of mastering jazz guitar.

By: Scott Anderson