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Jazz Piano Lessons – Tips to Help You Learn to Play Jazz on the Piano Fast

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In order to play Jazz piano you need to get a fundamental knowledge of piano theory. Some of this knowledge will consist of chord formation, rhythmic feel, and scales and modes.

All Jazz songs have a one of a kind chord progression in every piece. Your jazz piano lessons should focus on learning the different rhythms of a jazz piano.

Every jazz style is dependent on beat and has a unique rhythm. You should practice playing different rhythms in the bass line.

Your jazz piano lessons should emphasize weak beats which are also referred to as syncopating. You should know that in jazz music the second and fourth beats are emphasized by resting on the normally strong strong beats. In order to make a stronger syncopation you should rest on just the first half of the first and third beats.

Your lessons should also focus on a key element in the jazz feel and this is the swing rhythm. To accomplish this you need to play uneven eight notes.

Within a pair of eight notes you should play the first note longer than the second to make an uneven pattern. You shouldn’t hold all the notes for the exact same amount of time.

Your jazz piano lessons should practice jazz chord progressions. The basic progression is the twelve bar blues. The twelve bar blues includes progressions among the I, IV, and V chords.

In the key of C, the chords would be C (I), F (IV), and G (V). You should begin on the C and move between the C and F for various bars, adding a G chord until you get a pattern with twelve bars.

These are some of the things your jazz piano lessons should focus on. With the right lessons there is no reason you can’t learn how to play jazz piano songs.

By: Jenna Mae

Best Jazz Albums of All Time – My Top 10 List

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1) Kind of Blue -Miles Davis

Yes this is probably the number one selling jazz album of all time. Some say it IS the best jazz album of all time. Did you know that the musicians didn’t even rehearse for the recording session? Miles just showed up to the Blue Note session with some melodies and chords and proceeded to record each song in one take… that’s how Miles liked to do it… he wanted everything to be spontaneous. Needless to say, everyone played brilliantly. There was so much talent and feeling that there was just no need for many takes. The songs consist of simple melodies and there is so much space yet also deep emotion. It is a pleasure to listen to and feel this album.

2) A Love Supreme -John Coltrane

This album completely changed the jazz world in 1965 and even today it’s effects can be found in many musical styles, not just jazz. Coltrane evolves from the extremely complex and dense harmonic language he had mastered with Miles Davis and Monk and just played with pure, raw passion. The four songs on this album are simultaneously filled emotions of anger, joy, sadness, ecstasy, tragedy and triumph. I know of many different types of artists such as writers or painters who use this album to inspire energy and passion from within themselves for their own personal art. This album also inspired a revolution in Coltrane’s playing as he played with this same organic raw intensity for the rest of his life.

3) Time Out -Dave Brubeck

This was the first instrumental jazz album to sell over a 1,000,000 copies. ‘Take 5′ was even a number one hit on Billboard’s charts which is a serious feat for any jazz song (and any song in 5/4!). Brubeck uses rhythmic influences from Eastern Europe to create a very new sound in the jazz style. The complex rhythms he uses sound very natural and are easy to listen to, probably the reason for his success. This one is guaranteed to please and intrigue it’s listeners.

4) Ellington at Newport -Duke Ellington

Here’s a historic concert that has a wonderful background story… It was 1956 and many big bands were failing because of the rise of bebop and modern small group jazz. So at the 3rd annual Newport Jazz Festival, Ellington tried hard to please the crowd with new suites and new arrangements, but the crowd was very sedated as usual. Then finally on a two section song, Dimuendo and Crescendo in Blue, Duke had the two sections connect with a sax solo by Paul Gonzalves and him told to play the solo as long as wanted to. He usually only took a couple choruses but this time Gonzalves took a 27 chorus solo that eventually had the crowd off it’s feet and dancing! This changed the face of jazz solos and as well as gave Duke some new found success. Duke’s band continued in this popularity for 18 more years.

5) Jazz at Massey Hall -Charlie Parker

This album often appears reissued under the name “The Greatest Concert Ever”. It is an all star lineup of Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach. These guys were all involved in the creation of bebop about 15 years before this concert date (1953) and thus were all seasoned veterans by the time of the concert. Also this was the only time these five would record together and everyone plays amazingly. A lot of earlier bebop recordings suffered from sound quality but this one sounds very good for a live concert.

6) Headhunters -Herbie Hancock

When I first heard this album I felt I had finally found that perfect “sound” I had been searching for my whole life. Some critics and pure acoustic jazz-heads say this album is not jazz, but I must disagree. Others do too, this album was so popular that it quickly sold over a million copies after it’s release in 1973. It’s simple, funky, extremely enjoyable, and AMAZING! Listen to it over and over for maximum satisfaction.

7) Blue Train -John Coltrane

Recorded in 1957, this album was Coltrane’s first album as a leader. It’s very interesting to hear how Coltrane was playing before he started heading to the freer, passionate playing that he evolved to in the 60’s. Did you know that ten years earlier, Coltrane was considered just a mediocre player? He studied with others and performed SO MUCH with Miles. He was known to constantly practice after gigs late into the night to become the player he was on this album… and he continually improved after this recording! I love this album because it has such a solid, classic jazz sound with great musicians and great originals by Coltrane himself.

8) Getz/Gilberto -Stan Getz, Joao Gilberto

So Herbie Hancock won a Grammy for Album of the Year in 2008, the last jazz album to win the award was this one in 1965. It created the Bossa Nova craze in the United States and is one of the best selling jazz records of all time. Stan Getz, Joao and Astrud Gilberto are extremely graceful and intimate as they float along through this wonderful material composed by the famous Antonio Carlos Jobim. I think the best word to describe this album is relaxing.

9) Mingus Ah Um -Charles Mingus

Charles Mingus had a way of making his bands sound lush, original, and of course swing like crazy. This album features many tribute songs to former jazz legends that are guaranteed to get your foot tapping and your fingers snapping! Also there are some amazing ballads filled with highly colorful and emotional horn arrangements. I love to listen to and jam the song Fables of Faubus, a track dedicated to the infamous former governor of Arkansas who took a stand against integration in schools in 1957, the music says it just right.

10) Concert by the Sea -Errol Garner

Errol Garner is a beast. This may be because he can’t read a note of written music and therefore must rely on his hearing to guide him to what sounds good. Well he certainly knows what that is because this album is incredibly interesting both harmonically and rhythmically. His left hand swings so hard that it really is on another level of most all pianists. He is technically fluent and plays extremely extravagant arrangements of many well-loved standards like Autumn Leaves and I’ll Remember April.

By: Bradford Alderman

Chromonica Harmonica – The "Classic" Pop, Jazz Chromatic Harmonica

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The Chromonica is a truly classic model of chromatic harmonica – made by the Hohner Company of Germany, it has been around for several years, and looking at pictures of chromatic harmonica players over the decades past, you can see the Chromonica in the hands of several famous players, such as Stevie Wonder and Toots Thielemans. Most often in these pictures they are playing Hohner’s Super Chromonica, the 12 hole version of the chromonica, model #270.

Stevie Wonder is famous for his pop/funk style of playing the chromatic, a choppy, slurring style that he created and that a lot of players aspire to imitate.

Toots Thielemans style on the other hand is much smoother, a legato jazz style that fits beautifully with traditional jazz accompaniment.

The Chromonica harmonica has a wooden comb, which means that the middle part of the instrument, the basic body of the instrument, is made of wood. Quite often these days, the comb of the harmonica is made of plastic .

There are varying schools of thought about whether it’s better to have a wooden comb or a plastic comb – they definitely have their pluses and minuses. Wood, as you can imagine, reacts to humidity and swells and shrinks accordingly, a little bit. Plastic combs on the other hand don’t have this problem but may not have the beautiful tone that wood has.

However, the Chromonica has been in production for several decades, and is still a really great instrument. It is not Hohner’s “top of the line” anymore, but it is a good reliable instrument that you can get a “classic” sound with, and if taken care of, the Chromonica harmonica can last and be one of your favorite instruments.

The Chromonica comes in various sizes: the 12 hole and the 16 hole models. The 16 hole chromonica has an extra lower octave on the left side of the harmonica, which can be fun, but on the other hand the 12 hole harmonica tends to fit in your hands much better, is lighter, and is easier to hold cupped to a microphone if that is the way you play.

Chromatic harmonicas are designed to play every complete scale in any key — major, minor, pentatonic, blues, etc. — all on one instrument. Nevertheless, they can be bought in various keys – the most common by far is the key of C.

A chromatic harmonica theoretically can play in any key because it has as part of its mechanism the ability to play all 12 notes of the “Western” (standard do-re-mi) scale, so that by using the button slide on the side of the chromonica you can build your various scales. But as you can imagine, the various keys start in various places on the scale of western music, such as G typically starting lower than the C scale harmonica.

The c scale-tuned harmonica is midrange, and also is very easy to understand music theory-wise, so that if you were using the chromatic harmonica (a Chromonica in this case) to build scales for whatever song you are playing, it is easy to start with the basic “blank slate” (no sharps or flats) of the key of C harmonica, and build it up from there.

An example of this would be if you were playing a key of C Chromonica in the key of D, then you would use the button slide to give you the C sharp and the F sharp in the scale of the key of D to play your C chromonica in the key of D.

In summary, Hohner’s Chromonica harmonica is a classic chromatic harmonica that has quite a lot of history behind it, has a beautiful tone, and is reliable. It is a midrange model Hohner harmonica and is a great place to start playing the chromatic harmonica.

By: Matthew Shelton