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Posts Tagged ‘Jazz Styles’

What is a Chord Symbol?

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Frequently used as a form of notation, chord symbols are used primarily utilized in many forms of modern music and even some jazz styles. The main difference between these types of notation is that the chord symbols do not display the function of the chord. If you look at classical music, the Roman numerals can often be difficult to read, especially if the piece contains a lot of changes.

The Root

The root is what points the musician in the direction, of, obviously, the root of the chord. You must also bear in mind that chord symbols also take into account inverted chords. It may also be the case that under some circumstances the chord will have a root that is NOT the base note. As an example, in the E6 chord, the root will be E. If, however, there is a diagonal slash below the original symbol, then the chord’s symbol note will differ from the root note.

Quality

This will tell you whether the chord you are looking at is major, minor, diminished or augmented. As an example: in the symbol Cmaj7 – the maj is telling us that the C chord is a major chord. As you might expect, the abbreviations relate directly to the type of chord: maj, min, dim and aug.

The Extension

The extension is what tells the player whether or not the chord differs from a triad (a third chord). If you take the example above, Cmaj7, you will see that the chord is a seventh. When there is no number in this position, the player is to assume that the chord is indeed a triad.

Alteration

(no fifth) – the chord must be played with the fifth tone removed.

(sus) – signifies that the musician is to play the fourth scale note over the third. Sus is simply an abbreviation for suspension.

(-) – usually followed by a number, the minus sign refers to the lowering of a chord tone.

(+) – the opposite of the minus sign, and therefore refers to the rise of a particular chord tone.

Alterations are there to give any specific (and often seemingly irregular) instructions to the musician as they play the chord. The alteration is always written in parenthesis after the extension. The above is a brief breakdown of some of the most common alterations. The alterations in chord symbols are a bit like the appendix in a book – and it serves much the same purpose.

When you look at a piece of sheet music, instead of seeing the music note for note, you will be able to understand more of the direction in which the music is going. Even better is the accompanying ability to improvise and make your own sounds – the beginning of a wonderful relationship between you and your music. Being able to read these chord tones will serve the musician in much the same way as a legends list on a map serves a lost navigator.

By: Lauren Paltrow

Jazz History: "Pre-Jazz"

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Jazz as a style didn’t come into its own until around 1920. Before that there were such prejazz forms as band and piano ragtime, jug bands, banjo groups, country blues, European marching bands and pop songs, street calls, and African percussion music. Good examples of this early American music can be heard on the Smithsonian Folk Collection. Most good jazz texts run the history and descriptions down. One such book is Jazz Styles by Mark Gridley.

Jazz came about due to the inevitable confluence of ragtime and the blues. Of course, one could make a semantic argument which would confuse what the salient characteristics of jazz are (much of what they presented on BET Jazz I wouldn’t call jazz, for example). Similarly, I would not call the Original Dixieland Jass Band’s barn animal and slide-whistle gimmicks jazz. (Many contemporaries called their stuff jive hokum.) Jazz didn’t really swing until Jelly Roll Morton and Louis Armstrong, and simply because Louis and Jelly played ragtime before they evolved their great jazz groups does not make what they played before that jazz.

Certainly the music had been gradually evolving towards jazz for quite some time, but because the ODJB first used the term Jass (not Jazz) in their title isn’t that much of a big deal to me. I’m sure they thought it would help with sales and popularity (and it worked for them, too), since these terms–and others–were already in the air. And musicians did not uniformly refer to whatever music they played at that time as jazz by any means; these were loose terms. Many scholars do, however, acknowledge that the ODJB was the first recorded jazz band, and that is where I differ with them.

I cringe when I hear about ODJB in this regard: Having played their recordings for many Jazz History classes over the years, and compared their music to Louis, Jelly, and many others, I think they are an embarrassment. To me they are insufferably corny and they couldn’t swing their way out of a paper bag! Worst of all, they are the recorded caricature of the less-talented whites stealing the black man’s music–and doing it poorly.

By: Ed Byrne

Learning How to Play Jazz Guitar

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Jazz guitar is an extremely popular guitar style and learning this style of music can pose quite a challenge. There’s no doubt that it can be very time-consuming with many hours of practice to put in if you are to master this rather difficult style. Determination is a deciding factor in those who eventually ‘get there’ and can call themselves ‘jazz guitarists’!

There are many unusual harmonies and chords associated with this style and, at first, this might seem unusual to your ear. However, practice is the key and over time, your ear will adapt and get used to these slightly more ‘exotic’ sounds. You will also need to be very familiar with your guitar and listen to as much jazz guitar music as possible. Get used to the different beats and rhythms, surround yourself with the style. Don’t forget to explore different eras as well. Modern pop often incorporates jazz guitar styles, but also listen to the ‘hot’ jazz of such luminaries as Django Reinhardt. Remember, Reinhardt had fingers missing and he was still a gifted guitarist. There’s hope for you yet!

Use a metronome. This is an invaluable tool that will help to keep you in time. Many musicians have a tendency to speed up as they play, especially if they are solo. This is a natural phenomenon, but one that need to be curbed. Many jazz styles need to be ‘laid back’ with a lazy style of playing that isn’t rushed. Keeping a steady metronome pulse will also allow you to feel the subtleties of ’syncopation’ (the notes falling ‘between’ the beats). Electronic or wind-up, it doesn’t matter, but get a metronome at once!

Open up your mind to the new sounds, harmonies and rhythms that you will experience over the coming months and years. Invest in some good jazz guitar CDs (do a quick search on Google or visit Amazon), find a reputable local guitarist/teacher who can demonstrate this style of playing. Make sure that whoever you decide on to teach you has good references (ask around, listen to him/her play, what qualifications have they got, etc).

Finally, don’t be afraid to have fun and experiment with jazz guitar. More than perhaps any other style, it is free and diverse with a variety of ’sub-styles’ or ’sub-genres’ to explore.

At the end of the day, just get out there and ‘play guitar’, don’t hang back.

I wish you well with your musical exploration!

By: Washington Stoker