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Posts Tagged ‘Learning Music’

Jazz Piano Lessons – Learning Slow to Fast Jazz Beat

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While countless of people would think that to play jazz music through the piano is something very difficult and complicated to do, it would be best to equip yourself with the appropriate methods of learning it. There are in fact, countless of various jazz piano lessons that you may access in the internet anytime which can enlighten you that learning about how to play jazz music through the piano is not difficult after all. Here are just a few of the so many things that you may want to know about taking piano lessons, specifically the lessons in jazz music:

• Practice Just Appropriately
Practice does not need to be very extensive. In fact, this is where a little sense of time management is called for. Manage your time wisely so that you may allot a regular time for practicing which does not necessarily have to be so long. Also, make it a point to incorporate some finger and hand exercises before your every practice so as to ensure dexterity of your hands as well as the flexibility of your fingers. In doing so, you will be assured that even though you constantly play each day, or you play long in your practice, your fingers and hands are prepared and therefore, will not complain about getting so tired playing the piano.

• Learning The Basics
You, as a beginner student in piano playing, should learn the basic things about performing using the piano. As instructors tell their students, the basics of piano playing are very essential in being able to play the piano effectively. But then your piano instructor in your jazz piano lessons can testify that such piano basics are even more so important in learning how to play jazz music through the piano.

• Basic And Advanced Lessons Continuum
While knowing the basics of learning the piano is very indispensable for a piano enthusiast to learn the instrument, the more so, they are needed when you get promoted to the more advanced piano level or grade. Knowing all the basics should also be matched well with the perfect pacing or tempo.

• What To Expect In The Lessons
First, expect that you will be taught the slow manner of playing jazz music through the piano. After which, your instructor will then let you get a feel of how a pianist would play jazz music using a much faster or quicker tempo. However, since to do would not be as easy as you think, it would be best to keep up to the pacing that you can only deliver. Then keep in mind that with constant practice, you will be able to catch the perfect tempo for a particular piece of jazz music.

• Last but not least, bear in mind that it is highly important for you to treat learning jazz piano lessons as something that is truly satisfying and worthwhile. That way, you will not feel any tinge of boredom from practicing each day. And what is more, you will surely get your money’s worth because of such determination, focus, dedication and interest you are showing.

By: Josephine S. Sewyerd

Music Teaching – Generation and Evolution

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Nowadays, one could easily find persons with ear or headphones, caught up in their own world, listening to music through the gadgets of their choice. Music. It’s as familiar as mobile phones, and now as portable! If it wasn’t that important, why else did the mobile phone manufacturers think of integrating music players on their products! So who will argue that music is not interesting? But classes, that’s another story.

During primary and secondary education, learning music is not exactly given much attention. It is but one of those “filler” subjects. But for a few more artistically-inclined people, this serves as a foundation for their future interest, or even way of living. And when one does decide to enter schools of music, one would know for sure that it is a passion, a dedication.

It is during these formative years that music teachers play their pivotal roles as future musicians’ mentors, even inspirations. Teaching is indeed a noble profession, more so a vocation. Yes, it is far from teaching math, or science. Said subjects are purely academic subjects that entail a teacher’s thorough knowledge. Teaching music, on the other hand, necessitates both knowledge and aptitude…and, probably even more importantly, passion.

Music teaching possibly started as a way of passing on a community’s tradition. India has in their ancient scriptures references to Indian classical music. The “Great Book of Music” or Kitab al-Musiqi al-Kabir was written by the Arab scholar al-Farabi in the 9th century.

In the Western world, music teaching may have started from the church, with cleric/monks teaching their hymns to those next in line, or to the religious. In fact, in the U.S.A., the first singing school was created by Reverend Thomas Symmes in 1717 in Boston, Massachusetts for “the purposes of improving singing and reading in the church”. With the continued popularity of music and its commercialization, organized instruction evolved and schools of music sprung forth around the world.

Albeit the acclaim of many musicians who graduated from these schools, music education does not seem to receive the recognition it deserves. Thus, an organization, the International Society for Music Education, was formed in 1953 in a conference convened by UNESCO. It aims “to stimulate music education as an integral part of general education”. It is now considered to be “a worldwide service platform for music educators” for their works to be recognized. It now has affiliations with national music education organizations of different countries to promote music and teaching to as many people as possible, if not to all.

Music instruction has evolved through time, in tune with the evolution of music. It also has changed, along with the changes of the times, of the people. Somehow, music teachers, of all levels, are now given the commendation they are rightfully due. More importantly, music teaching is slowly but surely winning the respect, it has earned. For what is, the worth of music if it is not taught, hence, shared.

By: Earl Marsden

Jazz Improvisation is a Study in Theory

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Jazz has long been considered to be one of the most demanding forms of contemporary music to master. So much so, that many would be Jazz musicians will spend years learning music theory, alongside developing advanced playing techniques, simply to get a start in this fascinating musical genre.

The major difference between Jazz and most other forms of music is in the fact that improvisation is not only encouraged, it forms the very backbone of the style. Although there are many Jazz classics, no two musicians or bands will play these songs the same. They will follow the basic progression, but will be given a new inflection through personal and group improvisation.

The ability to play improvisations relies heavily upon two things; first the musicians creativity, and secondly upon the musicians knowledge of musical theory. Of course, there are many fine Jazz players out there who will tell you that they do not know any music theory. The simple truth of the matter is that they do, they just do not know it. They have spent years learning to play by ear, and although they cannot name the correct musical terms for what they do when they are playing, they are clearly demonstrating a deep knowledge of music theory at a base level.

For those wishing to take up playing Jazz, then a firm grounding in music theory is entirely recommended. Even the rhythm section of a Jazz band is encouraged to improvise and embellish the piece being played. Rhythm guitar players will be called upon to construct complex chord patterns, including augmented, diminished, 5th, 9th and 13th chords. They will also be expected to follow the soloist, should they decide to shift tempo, key or mode.

As a soloist, playing Jazz is all about creativity, backup up by an understanding of what they are doing musically. Many Jazz musicians, when questioned about scales, will smile and reply, “What is a scale? I don’t know any!” This is something of an insider’s Jazz joke, as most Jazz soloists play what they feel, not what they know works mathematically. Of course, this is far from the truth, but a Jazz player will have transcended standard scales in many ways. Instead, using their ear, they will be able to find step off points, into new scales and modes, shifting the music as they go. This of course, requires an immense amount of theoretical knowledge, either learned conventionally, or learned over years of playing by ear.

Playing Jazz can be one of the most rewarding experiences any guitar player is likely to experience. A good Jazz performance will see the musician develop ideas, and musical concepts on the fly, breathing fresh life into Jazz classics, while enthralling the audience like a true virtuoso. Although a thorough understanding of music theory is not a prerequisite for becoming a competent Jazz player, it can be seen as an effective short cut, removing the requirement to play Jazz for decades before becoming entirely competent in its application.

By: Bill Kernodle