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Posts Tagged ‘Louis Armstrong’

Popular Jazz Artists and Their Music

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Many people consider jazz as the one true original American music. However, just as the country is a hodge-podge of different cultures, its music a mixture of different beats and melodies. In fact, jazz is a combination of African beat and European melodic influences. The combination is so unique only to America, which is why it cannot be considered as something that came from somewhere else. Jazz was first heard in the suburban areas in the south during the late 1800’s, in communities that were largely populated by Afro-Americans.

Because of its origins, the early popular jazz music artists were blacks. The genre was still at its inception stage with ragtime as its earliest form. The usual instruments used to create such music were banjo and piano. The popular artists then were Ernest Hogan and Tim Turpin, who published the Harlem Rag. By the end of the century, jazz developed further with the innovations created by Scott Joplin. Being a pianist trained in the classical music, he created a beautiful fusion of his specialty and ragtime. By the beginning of the 20th century, the blues came into being, with W.C. Handy as one of the most popular artists of such genre.

Big bands usually play jazz music during the early years. However, when swing music, another new jazz form, rose to prominence in the 1930’s, soloists became more popular too. Swing music highlights the skills of the trumpeter. Because of this, the trumpet player usually ends up becoming more famous than the other musicians in the band. During this time, the genre’s icons, such as Louis Armstrong and Duke Ellington grew so popular that any jazz lover should know them and their music.

From the danceable swing music, jazz evolved further in the 1940’s to 1960’s with bebop. Bebop is known as the musician’s music because it gave emphasis on the talents of the instrument players. Every musician in the band was provided with moments to shine, from the piano, the base, to the wind instruments in the band. Among the top trumpeters were Clifford and Dizzy Gillespie. The most popular among the pianists were Thelonius Monk and Bud Powell. Even drummers gained recognition, with Max Roach as one of the more famous ones.

The 70’s saw the development of jazz fusion, a bold attempt to combine the elements of rock and roll with the classic jazz sound. These were the times when the jazz artists, such as Miles Davis, Herbie Hancock, Chick Corea, and Tony Williams became very famous. Not only did they develop a new jazz sound. They also influenced even the rock and roll artists of the time, such Jimi Hendrix, Led Zeppelin, and the Grateful Dead.

By: Jim Oneil

Jazz History: "Pre-Jazz"

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Jazz as a style didn’t come into its own until around 1920. Before that there were such prejazz forms as band and piano ragtime, jug bands, banjo groups, country blues, European marching bands and pop songs, street calls, and African percussion music. Good examples of this early American music can be heard on the Smithsonian Folk Collection. Most good jazz texts run the history and descriptions down. One such book is Jazz Styles by Mark Gridley.

Jazz came about due to the inevitable confluence of ragtime and the blues. Of course, one could make a semantic argument which would confuse what the salient characteristics of jazz are (much of what they presented on BET Jazz I wouldn’t call jazz, for example). Similarly, I would not call the Original Dixieland Jass Band’s barn animal and slide-whistle gimmicks jazz. (Many contemporaries called their stuff jive hokum.) Jazz didn’t really swing until Jelly Roll Morton and Louis Armstrong, and simply because Louis and Jelly played ragtime before they evolved their great jazz groups does not make what they played before that jazz.

Certainly the music had been gradually evolving towards jazz for quite some time, but because the ODJB first used the term Jass (not Jazz) in their title isn’t that much of a big deal to me. I’m sure they thought it would help with sales and popularity (and it worked for them, too), since these terms–and others–were already in the air. And musicians did not uniformly refer to whatever music they played at that time as jazz by any means; these were loose terms. Many scholars do, however, acknowledge that the ODJB was the first recorded jazz band, and that is where I differ with them.

I cringe when I hear about ODJB in this regard: Having played their recordings for many Jazz History classes over the years, and compared their music to Louis, Jelly, and many others, I think they are an embarrassment. To me they are insufferably corny and they couldn’t swing their way out of a paper bag! Worst of all, they are the recorded caricature of the less-talented whites stealing the black man’s music–and doing it poorly.

By: Ed Byrne

Mishka Adams Jazz Singer and Musician, Space Album

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Take a shy little girl who loves music, Joni Mitchell and the Philippines where she was born and has spent most of her childhood. Send her off to a scary Sussex boarding school and what does she do? She takes saxophone lessons, falls in love with jazz and starts setting her own poetry in motion.

Fast forward ten years and we find Mishka Adams, daughter of a Filipina sculptor mother and British writer father, enjoying life in London.

“When my father insisted on sending me to boarding school it was scary, says Mishka. I protested for a long time but appreciate it now. It was very hard, going home just three times a year.

“I started saxophone lessons aged ten and had a lovely teacher who was into jazz and gave me beautiful pieces to play. Music was a comfort and in secondary school I bought my first jazz record, one by Louis Armstrong, got involved in a jazz trio and big bands. I had a little stereo in the dormitory. I loved singing at school and wrote a lot of poetry”.

After A Levels, Mishka went back to the Philippines and started doing small gigs and happy hours.

Then came the chance to be noticed. “I was asked to sing at a Courtney Pine concert and someone from Candid sent a video to Alan Bates, whose wife is from the Phillipines and wanted him to showcase musicians from her homeland.

“The rest, as they say, is laro.”

Mishka finished her masters a year ago and, having met “a lot of lovely people, a lot of musicians who are always learning” now wants to enjoy her music and to work with others.

At 24, she also teaches music. “My youngest student is 14 and I remember how shy I used to be and tread gently. What’s the quote “Tread gently, you tread on my dreams?”"

If you want a glimpse of Mishka’s talent listen to her latest album, Space; the poetry is all there.

By: Patricia McLoughlin