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Play Jazz Now

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Getting that jazz sound can be a complex process. It is impossible to say who have the greatest jazz tone and sound as we are all different and are subjective in our listening. What I’m about to share with you acts as a general guide in the area of getting that jazz tone and should be improvise upon should you feel like it.

The Guitar


For an authentic jazz tone, you should have a semi-acoustic hollow body electric guitar. The Gibson ES-175 or the Gretch Tennessean can run into thousands of dollars but there are also excellent entry models such as Ibanez Artcore line of guitars. Guitars by Yamaha or Guild also make great entry level semi-acoustics. Epiphone, owned by Gibson are designed for the aspiring musician to own a Gibson but lack the budget to do so. What you get is a fantastic sounding guitar made by Gibson but at a much much lower price. Look for a guitar which provides a clean tone with plenty of sustain.

Jazz guitar players often plays with a rich mellow tone that is suitable for the style. Roll off the treble on your guitar’s controls to achieve that.

A Jazz Guitar Amplifier


The playing style and sound that you wish to attain will determine the amp you need. Very often, traditional jazz guitar players uses solid state amps that can produce a clean sound which compliment acoustic arch-top guitars. For others seeking a more distorted sound, a tube amp might be just what you are looking for. Many jazz guitarists use a Fender Pro or a Polytone. On board effects maybe another requirement you are looking for. This can range from a overdrive channel to a reverb channel.

Effect Pedals


A hint of reverb is all you need if you are one who does not want to meddle with effects. However, many modern jazz guitar players today includes an arsenal of effect pedals in their effects chain ranging from chorus, overdrive, distortion and even wah-wah pedal. A word of advice. When using effects, ensure they compliment your playing style and that you retain that “clarity” in your tone. Many guitar players often make the mistake of cluttering their guitar tone with too many effects which results in a poor quality muddy sound.

In summary, listen, listen, listen. Listen to recordings by all the jazz guitarists. Listen closely to their sounds and try to emulate them. When done enough, you’ll be able to find that unique tone in your guitar sound which you have crafted. Congratulations! You have found your very own signature sound!

By: Andy Ng

10 Top Jazz Guitarists

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Some of the most influential and innovative guitarists have emerged from the world of Jazz – often with breathtakingly fast technique and intricate phrasing – Jazz maestro’s can match anything that rock and roll can produce – indeed the Jazz genre has been popular for almost 100 years and from trad jazz to new world fusion pioneers they are a diverse breed producing a wide spectrum of sound.

So what makes a great Jazz guitarist? Flamboyance – technique and a dash of magic – our top 10 list features guitarists who have their own unique styles and sound – often mimicked but never matched. Want to get into Jazz guitar? Well check out these ten great players.

1. Joe Pass

With a career that spanned 50 years, including time spent with Frank Sinatra, Dizzy Gillespie and Herb Ellis – Pass became renowned for his solo style that utilized complex finger picking technique coupled with a deft left hand phrasing. With an Epiphone signature guitar released in his honor – Pass is a true great

2. Pat Metheny

Part of the modern Jazz set – Metheny is a real innovator on guitar – mixing a broad palette of musical influences from rock to folk, orchestral and traditional Jazz. Hard to pin down with a specific technique but with influences from Joe Pass to Wes Montgomery he’s has a career that spans 30 years and remains highly regarded.

3. Les Paul

One of histories most important guitarists. Central in the development of the modern guitar and recording techniques. It was however as a Jazz Guitarist that he became famous – with a fast fluid style reminiscent of the great Django Reinheardt but with a distinctive country twang he’s blazed a trail throughout his career – the fact that Les Paul still played to audiences in his 90’s is testament to how important this man is.

4. Wes Montgomery

Montgomery played with a distinctive style – discarding the use of a pick he played with mostly with his thumb resting his fingers on the guitar’s body. With intricate phrasing including use of Octaves – Montgomery sound is easily distinguishable – despite a career that was cut short at the tender age of 43 – Montgomery still had time to record a string of hit Jazz albums and influence a wealth or artists.

5. Charlie Christian

Hugely influencial in the Jazz genre and one of first mainstream Electric Guitarists but with a frustratingly brief career (dying at the age of 25) – renowned for his playing with the Benny Goodman orchestra in the 30’s and 40’s

6. John Mclaughlin

Incredible Jazz Fusion artist – part of the Mahavishnu Orchestra fusion group in the 70’s. With a blinding fast technique and influenced by world music sound – McLaughlin is a unique voice in the world of Jazz.

7. Herb Ellis

Reaching the Jazz audience with his stint with the Oscar Peterson trio in the ‘50’s Ellis has continued to record and play with a range of artists – with a fast – fluid but still melodic style – Ellis has a distinctive voice in the world of jazz guitar and inspiring tecfhnique.

8. Charlie Byrd

Grammy award winning and with a career that spanned 40 years – classically trained Byrd was heavily influenced by the South American bossa nova sound made his name playing with Stan Getz during the 1960’s -

9. Kenny Burrell

With a style that marries a soulful technique with a love of bebop, Burrell has played with a bucket load of greats including Dizzy Gillespie, Stan Getz and Benny Goodman – with a treasure of over 40 albums and career spanning over 50 years Burrell is a true Jazz master

10. Django Reinhardt

No list of Jazz guitarists would be complete without mentioning Django – with a Gypsy upbringing and musical influence he had a fascinating technique which involved picking close to the bridge and one string solo’s – influenced by few but influencing many – he remains perhaps the most important Jazz Guitarist of all time.

By: Adrian Martin

Finding A Good Amp For Playing Jazz Guitar

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Jazz guitar talk is generally focused around one thing – sound. The tone of your instrument will play a huge role in the sound that you achieve. If you are engaging in live performances, and jam sessions, no doubt you will be using an amplifier too. Finding a good amp for playing jazz guitar is just as important as finding a good guitar. Let us avoid discussing which amps are “better” than others, and get down to the important issues you need to focus on when you are looking for a good amp for playing jazz guitar.

Traditional Jazz

Players who are concentrating on developing a traditional jazz sound are going to be looking for just one thing in a guitar amp – a clean sound. If you want a traditional, clean jazz sound, then you will commonly gravitate toward a solid state amp or a tube amp. Solid state amps are easier to care for than tube amps, they are less prone to damage and most importantly they deliver clean, distortion free sounds on a regular basis. This is what makes them extremely popular among jazz guitarists. The biggest complaint about solid state amps is that they tend to sound “flat” and elicit little life from the tone of the instrument. Tube amps, on the other hand, are believed to deliver a much warmer tone, and some players insist that their sound is more alive when they use a tube amp. Unfortunately, tube amps are prone to distortion, typically something traditional jazz guitarists want to avoid at all costs. Despite their expensive maintenance bills and extreme weight on the move, tube amps are exceptionally popular, for those who favor the clean, traditional sounds of jazz as well.

Contemporary & Modern Jazz

For the more modern and contemporary jazz guitarist, a good amp may come in many shapes, sizes and forms. Players who are looking for a more mixed up and funky modern vibe in their sound will regularly employ effects and alterations. They might be more inclined to own and perform on a solid body electric, and may gravitate toward amps with more bells and whistles. Digital amps are increasingly popular for modern jazz. Modern jazz guitarists may also be dabbling in other genres, and digital amps are extremely effective in other arenas of music as well, thus it is a very practical choice. These players are going to want a lot of on-board effects at their fingertips, and a digital amp provides just that.

Industry Standards

Within the world of jazz, there are several amps that have emerged as industry standards. This includes the Fender Pro, often heralded as a good amp for playing jazz guitar due to its extremely clean sounds and lack of distortion.

It is unfortunate that manufacturers do not produce amps that are labeled “jazz guitar amps”. This means you will need to spend a lot of time listening to others, and trying out amps in order to find your own signature sound.

By: David Smithe