How to Use Modes in Jazz Improvisation
To form the modes, first we must have an understanding of the the major scale. If we number the notes 1 to 8, we can change the order we play them in by starting on a different note instead of 1. I can play the following combinations:
- 12345678
- 23456782
- 34567823
- 45678234
- 56782345
- 67823456
- 78234567
Basically I started the scale on 1 and returned to 1, then I started it on 2 and returned to 2, then on 3 and returned to 3 etc. In this way, all of the pitches had a chance to be the first note in the scale. If you look closely at the notes, you will see 7 different places we can start the scale, because there are 7 different pitches in the scale.
These different starting points are called MODES. There are 7 different modes, because there are 7 different notes in the major scale. Each of these modes has a name:
Mode 1= Ionian
Mode 2 = Dorian
Mode 3 = Phrygian
Mode 4 = Lydian
Mode 5 = Mixolydian
Mode 6 = Aeolian
Mode 7 = Locrian
If I compare this to a C major scale and play from C to C, I would call this MODE 1, or Ionian. Most people know this mode as major. If I start the scale on D, the second note, and play from D to D using the same notes as C major I will be playing MODE 2, or the Dorian mode. Start on the 3rd note (E) and go from E to E still using the same notes as C major, I’m playing Phrygian mode. You can repeat the process through all of the seven modes.
Since there are 12 major scales and each major scale has seven different modes we now have 84 different scales to worry about! The good news is that there are really only 12 major scales, and 84 different places to start them. By now you are probably thinking “why do I even need to know 7 different modes if the notes are all the same”? It is true that the notes are the same, but the difference is the chord.
By: Pete Swiderski
