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The Origin of Jazz Music

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Most people believe that Jazz music was first heard during the period known as the “Jazz Age” of the 1920’s. The truth is that the origin of Jazz was much earlier. In fact it’s roots can be traced to a period between 1850 and 1900 when African slaves and freed people began to experiment with European music.

The music of central and western Africa is filled with intricate rhythms and improvisation played on percussive instruments. When the early African American people incorporated these rhythms into American spirituals, hymns and hillbilly tunes the roots were planted for new forms of music that would eventually lead to the Jazz phenomena. However this new improvisational style of music wouldn’t be a given name until around 1915 when it was first referred to as “Jass” or “Jassing”.

The first instruments used to play this new style of music were more commonly part of military marching or dance bands. Percussion, brass, woodwind and string instruments were taken up by the African Americans. Without formal training the new musicians were free to interpret and play in their own style. The new music lacked formal structure and collaborative improvisation became a key feature of the new sound. African rhythms and improvisation were combined with European instruments and American tunes. As Jazz developed, long improvised solo performances would also become part of many music pieces.

The first style of music to be classed as Jazz was called Dixieland and it was performed from around the turn of the century in the Southern states of America. New Orleans would become the first home of this new sound. Dixieland itself had it’s roots in the Ragtime music played at the end of the nineteenth century. In fact many Dixieland bands and orchestras would include Ragtime music in their repertoire.

Jazz music would become a form that gives musicians freedom to experiment with sounds. New harmonies and rhythms could be added to music on the fly, adding originality to each performance. It can be described as “music from the heart”. Each instrument and performer adding their individual brilliance to a collective performance. Put it all together, and that’s what they call Jazz!

By: Steven Cousley

How To Play Jazz Piano With Style

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The piano is an important musical instrument for jazz bands since the origin of jazz music and it can be played in the style of a solo performance or as part of a band. Like the guitar, the piano is one of the few musical instruments in a jazz band which can play chords as well as notes instead just single notes only instruments such as the saxophone, trombone, trumpet or even the vibraphone (1 or 2 notes together).

Gone were the days when a jazz pianist’s role is just to keep tempo with repetitive chord combinations. Nowadays, the pianist is free to choose any technique or style to accompany a band or a singer using both short and sustained chordal and melodic fragments called comping.

An accomplshed jazz pianist must not only be good at sight-reading as well as good at improvising chord symbols but also must be able to adapt to the different playing styles of various bands he jams with. Jazz pianists must balance this interpretation and improvisation to the musical style the bands are playing.

The jazz pianist is indeed a happy musician because of the extended range of the piano. The piano offers the pianist with a much greater number of choices and techniques for improvisation, much more so than any other instruments in a jazz band.

In a jazz musical style known as “striding”, the left hand of the pianist alternates positions very quickly playing notes in the bass register and chords in the tenor register. The right hand will usually play the melody, but might also play harmonic content, chordally or even in octaves.

Jazz pianists play the solo with 3 basic objectives to fulfill simultaneously. The techniques are as follows :-

a) To provide a clear and swinging rhythm. This style is usually done by striking a beat with the right hand just after a weaker beat with the left hand. The objective of this technique is to mimic the combination of a cymbal ride as well as the walking bass. This technique can also be executed deftly with the left hand alone, by imitating the weaker beat preparatory swing note that is played by a bassist just before he strikes some of the notes of the bass phrasing.

b) Play the melody or solo improvisation with the right hand.

c) Establish the guide tones for chord changes.

One method commonly used by jazz pianists for tackling this triple situation simultaneously is to hold the hands together in a fork-like shape with the index and the third finger joining the thumbs to form a central group, whilst the fourth and fifth fingers are spread outwards.

This is done so that the pianist can use the left branch fingers to play bass notes, the middle fingers to moderate the guide tones and the right branch fingers to play the upper lines of the melody.

It is indeed challenging for the pianist to meet all these demands at the simultaneously. However these skills are inherent in most competent jazz pianists.

What is commonly called the ‘circle of fifths’ is also an important element in playing jazz piano because it provides harmonic diversity through a well guided harmonic phrase. Playing the circle of fifths technique is very much related to chord “planing” techniques which shift a chord, often voiced in fourths, up the scale, while implying a repeated harmonic pattern of tonic-dominant-tonic-dominant.

If you intend to be a good at playing jazz piano, then mastering these styles and techniques is a required skill.



By: Chris Chew

Play Jazz Piano In Style

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The piano is an important musical instrument for jazz bands since the origin of jazz music and it can be played in the style of a solo performance or as part of a band. Like the guitar, the piano is one of the few musical instruments in a jazz band which can play chords as well as notes instead just single notes only instruments such as the saxophone, trombone, trumpet or even the vibraphone (1 or 2 notes together).

Gone were the days when a jazz pianist’s role is just to keep tempo with repetitive chord combinations. Nowadays, the pianist is free to choose any technique or style to accompany a band or a singer using both short and sustained chordal and melodic fragments called comping.

An accomplshed jazz pianist must not only be good at sight-reading as well as good at improvising chord symbols but also must be able to adapt to the different playing styles of various bands he jams with. Jazz pianists must balance this interpretation and improvisation to the musical style the bands are playing.

The jazz pianist is indeed a happy musician because of the extended range of the piano. The piano offers the pianist with a much greater number of choices and techniques for improvisation, much more so than any other instruments in a jazz band.

In a jazz musical style known as “striding”, the left hand of the pianist alternates positions very quickly playing notes in the bass register and chords in the tenor register. The right hand will usually play the melody, but might also play harmonic content, chordally or even in octaves.

Jazz pianists play the solo with 3 basic objectives to fulfill simultaneously. The techniques are as follows :-

a) To provide a clear and swinging rhythm. This style is usually done by striking a beat with the right hand just after a weaker beat with the left hand. The objective of this technique is to mimic the combination of a cymbal ride as well as the walking bass. This technique can also be executed deftly with the left hand alone, by imitating the weaker beat preparatory swing note that is played by a bassist just before he strikes some of the notes of the bass phrasing.

b) Play the melody or solo improvisation with the right hand.

c) Establish the guide tones for chord changes.

One method commonly used by jazz pianists for tackling this triple situation simultaneously is to hold the hands together in a fork-like shape with the index and the third finger joining the thumbs to form a central group, whilst the fourth and fifth fingers are spread outwards.

This is done so that the pianist can use the left branch fingers to play bass notes, the middle fingers to moderate the guide tones and the right branch fingers to play the upper lines of the melody.

It is indeed challenging for the pianist to meet all these demands at the simultaneously. However these skills are inherent in most competent jazz pianists.

What is commonly called the ‘circle of fifths’ is also an important element in playing jazz piano because it provides harmonic diversity through a well guided harmonic phrase. Playing the circle of fifths technique is very much related to chord “planing” techniques which shift a chord, often voiced in fourths, up the scale, while implying a repeated harmonic pattern of tonic-dominant-tonic-dominant.

If you intend to be a good at playing jazz piano, then mastering these styles and techniques is a required skill.



By: Chris Chew