All about jazz festivals

Posts Tagged ‘Oscar Peterson’

Practice Jazz Bass Lines by Making a Play List

No Comments

Jazz falls in the spontaneous forms of music. Nobody is a Jazz expert from birth; rather it is rigorous practice and love for Jazz music that extracts an expert from a common Jazz lover. Take the example of any Jazz expert, you will find that continuous improvisation and repeated practice have made them the master of the art. First they learn all genres of Jazz and then they tried to specialize and have expertise in one form.

On the path of specialization, your interest plays a significant role. Once you know the basics, step forward to have mastery in one. The logic behind it is very simple. One lifetime is perhaps not the enough tenure to excel in all forms of jazz and having expertise in left hand Jazz piano playing like Art Tatum, thundering blues lines like Oscar Peterson and the harmonic complexity of Bill Evans. Hence, specialization leads to excellence. This article comprises of beneficial tips that make your Jazz piano practice easier.

1- Expose yourself to a variety of Tempos

When you practice jazz piano, Practice at a variety of tempos like slow, medium and fast. From quarter note = 40 to 360- never be scared of any tempo.

2- Be creative

While using the metronome, let the creative part of your Jazz-love perform its best. Click on the upbeats (beat two and four) instead of downbeats (one and three). Set the metronome in your comfort zone and practice Jazz piano for all patterns in both hands. It helps you to be more creative and develop a greater level of dexterity.

3- Apply the golden “Five Time” rule.

While practicing Jazz piano or baselines, play the scale, chord, lick, pattern, phrase or song five times in a row without committing any errors. If you commit any mistake (whatever negligible it might be), you are lacking in concentration. Practice this rule until you have not attained mastery.



By: Akhila Choudhary

Great Jazz Pianists and Their Contributions to Music

No Comments

Some of the greatest piano players in history became known for their proficiency in jazz. Technicality and a heavy reliance upon the ability of the musician to improvise makes jazz piano one of the hardest styles to learn. That does NOT mean, however, that it can’t be learned, but to get to the highest rungs a pianist must have lots of talent, a great ear, and the ability to improvise.

The birth of jazz music in the early 1900s was a significant period in musical history. Many of those who are considered among the greatest jazz pianists of all times were pioneers of the genre during this period. Jazz evolved from musical styles that African slaves brought to America. Therefore, its inception can largely be attributed to the early African-American community. African-American pianists, such as Scott Joplin and Ernest Hogan, are considered to be among the fathers of ragtime music. Although the ragtime era only lasted a few years, it was a precursor to, and contemporary of, the jazz era.

Many of the earliest and greatest jazz pianists were African American. For this reason, jazz music had something of a hurdle to overcome. While many embraced jazz as a new and exciting genre, others didn’t. The emancipation of African slaves was still a fresh memory, and many people still carried strong attitudes of racism.

Jazz’s public image changed slowly over the first two or three decades of the 20th century. Great African-American jazz pianists of the early to mid 1900s were instrumental in helping transform the perception of jazz. African-American artists like Erroll Garner, Theoloius Monk, Count Basie, Duke Ellington and Oscar Peterson brought a level of class to the genre that was undeniable. In fact, the Count Basie orchestra was pivotal to the jazz culture of New York for half a century. Noteworthy musicians in and of themselves, they also provided back-up for critically acclaimed singers like Billie Holliday and Big Joe Turner.

Count Basie’s association with Ella Fitzgerald is both historically and musically significant. The 1963 album the two made together is remembered by critics as possibly the greatest recording of her career. Count Basie also made recordings with Frank Sinatra, Sammy Davis Jr. and Tony Bennett. These match-ups lent even more credibility to jazz as a distinct genre.

The evolution of jazz saw many changes over the ensuing decades. More branches and sub-genres developed. In fact, jazz music fell out of favor with the public for several years in the 1980s. There was controversy within the musical community over the fusing of so many different types of music with jazz. Some purists viewed it as “watering down” the art form. Other musicians and fans see jazz music as a culmination of many types of music and view blending it with rock as simply another variation generally known as “fusion”.

Contemporary jazz artists have brought jazz back around into public favor in the 21st century. Today’s great jazz pianists, like Diana Krall, Harry Connick Jr. and Norah Jones bear living proof of this by number of albums sold. While some write off their work as “pop” jazz, many believe they are instrumental in keeping jazz alive in the new millennium.



By: Duane Shinn

Practice Jazz Using Space Age Online Tools

No Comments

 

It is not unusual for young men and women who are full of God given talent and music enthusiasm to want to dive right in and begin sitting in with musicians who have been around for many years and know how to capture an audience with their playing. To the young “want-to-bees” they just can’t wait for their chance to show what they can do. But for many of these young musicians, their first sit-in with experienced musicians did not yield a happy ending.

One of the problems young musicians have with trying to break into the jazz scene, accord to many seasoned jazz musicians, is they don’t know the tunes. It just stands to reason, “How can young musicians play with seasoned jazz musicians if they don’t know the tunes?” The only way for up and coming musicians to learn and memorize a large number of jazz tunes are through hard work and many hours of practice. Practice, practice, and more practice is the key to becoming an exceptional jazz musician who will eventually be able to play with the best, anywhere at anytime. Getting to that point is not an impossible feat, but it takes a level head and strong determination to achieve. But first, above all you must learn the correct changes for every song you play. This is key!!

In the old days, there was no internet, nor sophisticate music software applications, nor notation software that could bring the music to you in a laid out form. Musicians of old had to spend the time necessary to figure out chord changes, melodic patterns and solo arrangements. Many musicians put an album on the turntable and turned the speed back in order to “cop” the runs and solo changes played by Oscar Peterson and many other great jazz pioneers.

Today it’s a different story. If you want to learn the tunes- which basically mean the jazz Standards- and play them well, there are a number of internet based sites available to get you there. An internet site that is very visual and jazz education based is the site sponsored by Doug McKenzie at http://www.bushgrafts.com/jazz/home.htm. Doug McKenzie also has great educational videos on YouTube for jazz pianists. It’s a great online tool for all jazz instrumentalists.

A great new online jazz practice tool is provided at www.studiobypass.com. StudioBypass allows you to select from over 400 jazz and Latin tunes, listen to and manipulate the song of your choice, edit the final output, then download it onto your computer for future practice sessions. It is a fantastic practice tool for new up-and-coming jazz musicians, and also for seasoned jazz professionals. It’s a new day for jazz musicians, and space age tools are available to help you to become better-than-average jazz musicians.



By: Akhila Choudhary