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A Brief Introduction to Jazz Improvisation – Part 1

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Many talented musicians seem to go pale when someone asks them to leave the music for a few moments and fill in those 4 bars with a bit of jazz improvisation. Some see it as a strange and uncharted land, full of weird things like Modes and Tritonal Substitutions. Don’t Panic! Although jazz theory can get become ‘involved’, a great deal of ‘good sounding stuff’ can be played or sung with understanding of just a few basic starting points. I have tried to distil some of these for you in this brief ‘Impro-Info-Pack’, which I hope you will find useful and enjoyable. After all, jazz improvisation should be satisfying and fun for all involved (that includes the audience!).

Encyclopaedia definition of Jazz:

“Jazz is an original American musical art form originating around the start of the 20th century in New Orleans, rooted in Western music technique and theory and marked by the profound cultural contributions of African Americans. It is characterized by blue notes, syncopation, swing, call and response, polyrhythms, and improvisation. Jazz has been described as “America’s Classical Music,” and started in saloons throughout the nation.”

1. Have confidence!

Standing up to ‘do a solo’ can be daunting to say the least, especially when there’s an audience in front of you! However, standing up, not flinching on ‘duff’ notes and projecting your solo to the listener will give them a sense that you are playing for them – a musical ‘gift’ if you like. It adds to your enjoyment and confidence.

If you make a mistake – maybe a wrong note – use it! Slide confidently up to a ‘right’ note, for example! Don’t be afraid of making mistakes, as they are a very good way to learn new ideas

2. Know What You Want to Play

I once attended a jazz class held by an ace pianist. The problem was that all the improvisations he did seemed to be ‘pre-programmed’ in his fingers. There were set arpeggios, runs, twiddles… and it was nice but all rather mechanistic.

Improvising should be having an idea and then expressing it – communicating it – in the ‘language of music’. But, we need to have the idea before even beginning to try and make it into music! We need to have an input of ideas that sound good to us.

Listen

…to music…All types of music from Bach to Beatles, Van Halen to Van Morrison! Most of all, listen to the jazz/blues ‘Greats’ – folk like:

Louis Armstrong,

Sarah Vaughan,

Nina Simone,

Sonny Rollins,

Ella Fitzgerald,

Peggy Lee,

Bill Evans

Stan Getz,

Dizzy Gillespie

Duke Ellington

Ray Charles

Dave Brubeck

Chet Baker

Art Farmer

Freddy Hubbard

Stan Kenton

Herbie Hancock

Cannonball Adderley

Art Tatum

Billy Holiday

Monte Alexander

Louis Jordan

Glen Miller

Errol Garner

Frank Sinatra

Oscar Peterson

Dinah Washington

Gerry Mulligan

Miles Davis

Fats Waller

Stephane Grappelli

Zoot Sims

Charles Mingus

Count Basie

Billy Holiday

Ray Ellington

…to name but a few!!!



Sing Along

Whether in your room, in the shower or walking down the street (careful – not too loud!), sing the melody line that you’ve heard and copy the player’s/singer’s phrasing. Whistle it, tap the rhythm, go to sleep with it going round your head and wake up with it still going round in the morning (although this can get annoying!). The more you can ‘hear’ and reproduce others’ ideas, the more you’ll be able to use them in your jazz solos, tailoring them to what you personally would like to hear. This process happens at a subconscious level too – an effective way to learn a language is by copying others.

So, Know what you want to play by listening to loads of varied music – not only jazz, it could be any genre!!

This series is continued in Part 2…

By: Olly Wedgwood

Secrets To Becoming A Jazz Musician

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Jazz is a specialized form of African-American music having numerous followers around the world. This musical form was originated in the starting of the 20th century. What makes it different from other musical forms is the effective use of blue notes, syncopation, polyrhythms, swung note and improvisation. Jazz has today reached from the local coast of America to worldwide level connecting musical lovers and encouraging them to create new versions every day. Jazz is difficult to define and explain. The best way to learn about jazz is to have firm dedication towards it. Unfortunately, jazz music is tough to sell and it simple indicates that musicians don’t get what they actually deserve. But, the love of this special kind of music keeps their spirits high and keeps them going on and on.

Want to Learn Jazz music – Internet shows the way

To start with, it is important to learn the history of the music. Knowing the history of Jazz is important because it is considered as a classical form of music and many other musical forms such as rock and country are associated with its history. Having a clear understanding of the history will help in understanding its rhythms, techniques and sub-genres and a becoming musician can become a better jazz player. Secondly, it is better to find a band comprising of people who love jazz. Practice your knowledge with them and record and redo your work to gain expertise. Thirdly, you need to contact an experienced musicians having knowledge about the appropriate tools for teaching jazz music. Take some time out from your tight schedule and practice your lesions properly to perfect your timing and playing techniques. When you think you are ready for show, play your techniques at local bars, pubs or any other occasion such as weddings, birthdays and others. Try making contacts with people, musicians, music bands, music companies, other professionals and impress them with your talent.

Internet can be an excellent platform for intermediate jazz tools – helping young as well as established musicians to update on Jazz anytime and from anywhere. A website helps in rendering a professional image – easy to be permeated to others of similar interest.

Share your interest, experience and musical philosophy as well as gain from others to benefit maximum from a proper music community.



By: Akhila Choudhary

A Brief History of Jazz

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Jazz became organized as a musical genre in the United States in the early 20th century, but its roots originated in the l9th century in the South. The Atlantic Slave Trade brought over half a million Africans to America and with them came musical influences from their native land. As African americans learned to play European instruments in the 19th century and developed their own styles of music, like the cakewalk. The Cakewalk is a combination of harmony and syncopation. It became very popular and caught on among white folk, and was played in minstrel shows.

Toward the end of the 19th century, a new style of music emerged called ragtime. After the abolition of slavery, opportunities to learn opened up to many African americans. However, there were not many job openings. Many talented African americans took jobs as musicians in minstral shows, in bars and clubs. Ragtime was created in the red-light districts of New Orleans and was a modifcation of the march, characterized by polyrhythms and syncopation. It was very upbeat and perfect for dancing. Ernest Hogan was a black entertainer who first recorded ragtime on sheet music in 1895. It became very popular music and was even adopted by white musicians in America and in Europe. The ragtime is considered the first type of jazz music.

The ragtime carried its popularity into the 20th century. Small jazz groups began to travel and eventually spread the music from coast to coast. Jazz even traveled across the seas. During World War I, the “Hellfighters” infantry band carried ragtime to Europe. By the 1920’s Jazz had become the dominant genre of music in America. Jazz was associated with parties, extravagent behavior and drinking. The peak of Jazz music in the first half of the century lasted from 1920 to 1933. Many believed it was the cause of moral decay in American society. This period was the dubbed “The Jazz Age.”

By the 1930’s ragtime had lost its novelty. A new grand and exaggerated form of jazz was introduced, the big band swing. Big band or swing jazz was composed of a very large section of brass and reed instruments and was headed by a bandleader or an arranger. Some of the most famous bandleaders were Duke Ellington and Glenn Miller.

In the 1940’s Swing Jazz introduced a string section and vocals to the big band. Swing jazz was broadcasted over the radio and soon travled to other countries. During World War II, for example, a collection of dissenting german youth known as the “swing kids” adopted swing jazz and swing culture. They would dance and play swing music in defiance to Hitler. He had forbidden any Swing Jazz or swing dancing because of its ties with African-Americans and Jews.

During the 1950’s a type of jazz called “cool jazz” was preferred. The 1950’s was a decade of conservatism and the jazz music of the period definitely reflected that. Cool jazz was a toned-down version of jazz, where the big band reduced in size and sound.

The 1960’s and 1970’s saw a new forms of jazz with the introduction of Latin cultural influence rock and roll and soul. In the 1960’s Afro-cuban jazz became popular, but was soon replaced by Brazilian Jazz. Latin jazz combined traditional jazz with unconventional instruments like bongos, morracas and different types of flute. Into the 1970’s soul jazz was formed from a mixture of soul, blues and gospel music. The unique thing about soul jazz was that the solo instrument was typically an organ, which was very new to jazz music. Finally the 1970’s saw a rise in rock and roll. Jimmy Hendrix was famous for infusing jazz with rock and roll and established a form of jazz- jazz infusion. In the recent history jazz has been experimented with and a plethora of subgenres have emerged like, pop fusion or “smooth jazz”, jazz rap, nu jazz and even vocal jazz.



By: L Law