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The Origin of Jazz Music

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Most people believe that Jazz music was first heard during the period known as the “Jazz Age” of the 1920’s. The truth is that the origin of Jazz was much earlier. In fact it’s roots can be traced to a period between 1850 and 1900 when African slaves and freed people began to experiment with European music.

The music of central and western Africa is filled with intricate rhythms and improvisation played on percussive instruments. When the early African American people incorporated these rhythms into American spirituals, hymns and hillbilly tunes the roots were planted for new forms of music that would eventually lead to the Jazz phenomena. However this new improvisational style of music wouldn’t be a given name until around 1915 when it was first referred to as “Jass” or “Jassing”.

The first instruments used to play this new style of music were more commonly part of military marching or dance bands. Percussion, brass, woodwind and string instruments were taken up by the African Americans. Without formal training the new musicians were free to interpret and play in their own style. The new music lacked formal structure and collaborative improvisation became a key feature of the new sound. African rhythms and improvisation were combined with European instruments and American tunes. As Jazz developed, long improvised solo performances would also become part of many music pieces.

The first style of music to be classed as Jazz was called Dixieland and it was performed from around the turn of the century in the Southern states of America. New Orleans would become the first home of this new sound. Dixieland itself had it’s roots in the Ragtime music played at the end of the nineteenth century. In fact many Dixieland bands and orchestras would include Ragtime music in their repertoire.

Jazz music would become a form that gives musicians freedom to experiment with sounds. New harmonies and rhythms could be added to music on the fly, adding originality to each performance. It can be described as “music from the heart”. Each instrument and performer adding their individual brilliance to a collective performance. Put it all together, and that’s what they call Jazz!

By: Steven Cousley

The Development of Jazz in New Orleans

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Jazz is known as being one of the only styles of music created in America, though it is a mixture West African and Western music traditions. Jazz’s began in New Orleans, around the 1900’s, but its roots can be traced back hundreds of years earlier when slaves who were brought to America developed spirituals and blues in order to communicate with one another and express sadness, desires and religious beliefs. The music was passed along orally with each new generation making their own unique changes to the songs, which were often of a call and response form and unaccompanied by musical instruments.

Rhythms and melodies from the black community were combined with European compositions leading to the development of Ragtime music around 1895. “Ragging” a song meant dragging out certain notes and livening up music by rearranging notes. Ragtime and Jazz are similar but Ragtime music is predominantly sole piano music while Jazz music is played in ensembles.

Though jazz is closely associated with blues and ragtime, one of the most important elements of jazz music is that it is improvisational music–well-known notes and lines are a starting point for musicians to develop unique songs around. Early jazz musicians often could not read music but they thrilled audiences by bringing emotion, excitement and the unexpected to their pieces. While ragtime music was popular in restaurants, clubs or hotels, Jazz was mobile, versatile music played at funerals, parades, weddings, and at festivals.

The 1920’s were known as the Jazz Age as New Orleans jazz was brought to nightclubs in Northern cities such as Chicago and New York. It was more upscale than the music of New Orleans, and New Orleans Jazz distinguished itself as being a more folksy and spontaneous form of Jazz. Throughout the 20th century, many variations of Jazz music were popular including Dixieland, bebop, Big Band, swing, cool jazz, soul jazz and Latin jazz.

All forms of jazz music and the types of music that inspired it or have preceded it are celebrated during the New Orleans Jazz and Heritage Festival. The event began in 1970 as means of showcasing the musical heritage, arts, crafts and cuisine unique of New Orleans. The first Jazz Festival had a lineup that included Duke Ellington and Fats Domino and only about 350 attendees.

Quickly the Festival’s popularity grew and it now draws hundreds of thousands of visitors, world-renowned singers and the top talent of New Orleans and Louisiana. This year, artists including Rod Stewart, Jon Mayer, Harry Connick Jr. and ZZ Top are set to play in the event which will take place during the weekends of April 27-29 and May 4-6.

2007 New Orleans Jazz and Heritage Festival attendees are invited to stay at the Hotel Maison de Ville in the French Quarter so that in addition to seeing the festival performances, they’ll be right by jazz clubs and bars where they can hear intimate performances by traditional and contemporary jazz artists who have been inspired by the earliest performers.

By: Carolyn Polinsky

Great Jazz Pianists and Their Contributions to Music

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Some of the greatest piano players in history became known for their proficiency in jazz. Technicality and a heavy reliance upon the ability of the musician to improvise makes jazz piano one of the hardest styles to learn. That does NOT mean, however, that it can’t be learned, but to get to the highest rungs a pianist must have lots of talent, a great ear, and the ability to improvise.

The birth of jazz music in the early 1900s was a significant period in musical history. Many of those who are considered among the greatest jazz pianists of all times were pioneers of the genre during this period. Jazz evolved from musical styles that African slaves brought to America. Therefore, its inception can largely be attributed to the early African-American community. African-American pianists, such as Scott Joplin and Ernest Hogan, are considered to be among the fathers of ragtime music. Although the ragtime era only lasted a few years, it was a precursor to, and contemporary of, the jazz era.

Many of the earliest and greatest jazz pianists were African American. For this reason, jazz music had something of a hurdle to overcome. While many embraced jazz as a new and exciting genre, others didn’t. The emancipation of African slaves was still a fresh memory, and many people still carried strong attitudes of racism.

Jazz’s public image changed slowly over the first two or three decades of the 20th century. Great African-American jazz pianists of the early to mid 1900s were instrumental in helping transform the perception of jazz. African-American artists like Erroll Garner, Theoloius Monk, Count Basie, Duke Ellington and Oscar Peterson brought a level of class to the genre that was undeniable. In fact, the Count Basie orchestra was pivotal to the jazz culture of New York for half a century. Noteworthy musicians in and of themselves, they also provided back-up for critically acclaimed singers like Billie Holliday and Big Joe Turner.

Count Basie’s association with Ella Fitzgerald is both historically and musically significant. The 1963 album the two made together is remembered by critics as possibly the greatest recording of her career. Count Basie also made recordings with Frank Sinatra, Sammy Davis Jr. and Tony Bennett. These match-ups lent even more credibility to jazz as a distinct genre.

The evolution of jazz saw many changes over the ensuing decades. More branches and sub-genres developed. In fact, jazz music fell out of favor with the public for several years in the 1980s. There was controversy within the musical community over the fusing of so many different types of music with jazz. Some purists viewed it as “watering down” the art form. Other musicians and fans see jazz music as a culmination of many types of music and view blending it with rock as simply another variation generally known as “fusion”.

Contemporary jazz artists have brought jazz back around into public favor in the 21st century. Today’s great jazz pianists, like Diana Krall, Harry Connick Jr. and Norah Jones bear living proof of this by number of albums sold. While some write off their work as “pop” jazz, many believe they are instrumental in keeping jazz alive in the new millennium.



By: Duane Shinn