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Jazz From Goa, India

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HP- Tell us something about yourself.

CD- I’m a Mumbai goan looking forward to being a Goa goan very soon. I’ve reached two important milestones in my career. One is, after decades of playing everyone elses music i’ve development a style of my own and the biggest compliment I get these days is when someone recognizes my bassplaying on some tune they heard somewhere, they call up to confirm and..voila! The other milestone is probably every musicians dream, to produce music out of my own studio. A dream that will come true for me within this year when I setup my own state of the art studio in Sangolda. I’ve also setup an organisation called Jazz Goa with the help of fellow musicians and jazz enthusiasts in Goa.

HP- What drew you towards jazz?

CD- Jazz is a huge word, it should be spelt jjjaaaazzzzz! Seriously though, I think jazz is the most open, alive and evolving form of music that allows a musician to be him/herself. Most other forms of music demands a musician to follow trends and tradition or create stuff that’s currently hip. Whereas a jazz musician goes about his business listening, assimilating and finally innovating with yet another genre of jazz! We now have dixiland-jazz, swing-jazz, bebop-jazz, funk-jazz, rock-jazz, pop-jazz, fusion-jazz, latin-jazz, indo-jazz, mando-jazz… to cut a long story short, there’s a -jazz attached to every genre of music. And there will be a -jazz attached to every genre that comes along. I’m a musician who’s atracted to anything that looks, feels, smells, tastes and even sounds like music, so naturally I choose jazz as I get to play it ALL.

HP- What sets apart jazz music from other genres?

CD- Jazz is the only form of music that embraces all other forms and it is no longer American music. Today jazz can safely be called world music.

HP- What led you to become a jazz artiste?

CD- From amoung all the different genre’s of music I grew up listening to, for some reason it was always jazz that struck those extended chords within me. I could always hear the human and very often super human element in a jazz rendition.

HP- Your favourite jazz aristes/tracks.

CD- You’ll need to extend this interview by a few thousand pages to answer that. My all time favourite however was a bassplayer called Jaco Pastorius who revolutionised bassplaying taking bass right upfront, over, under and right through a song.

HP- To whom would you attribute your credentials as a jazz musician?

CD- To everyone i’ve worked with and everyone I would like to work with someday.

HP- Where and how did you train to be a jazz artiste?

CD- I have no formal training in music, I learnt music listening to other musicians, assimilating what I liked and using it consiously or subconsiously in performance until i developed a style of my own. Once I decided to play professionally though, I did study the technicalities through some great music books that are easily available these days.

HP- How do you prepare for a gig?

CD- I make sure there’s enough soda to go with the whisky…just kidding! It depends, if it is a concert where I would be performing my own compositions, I get the tunes composed, then get the band to rehearse and sound the way I heard it in my head. As it often turnsout, input from the rest of the band takes the tune to a dimension I would never have imagined. So you see, music is all about connecting and collaborating, don’t believe any of those fantastic one man bands. They’re faking it for monetary reasons, not that I have anything against it. All is fair in love, war and music.

HP- Talking about gigs, where and when did you first perform/how long have you been into jazz?

CD- Like most musicians I first got into music with school/college bands. I then graduated into fivestar hotel resident bands whose repertoire was made up mainly of jazz standards. I did that for ten years, playing music every night made me a musician.

HP- What is the jazz scene like in India, and Goa in particular?

CD- The jazz scene in India, Goa or anywhere in the world is the same. There’s a niche group of performers and listeners that grows all the time. Hopefully with jazz’s open armed evolution, it will grow into the global sound of music.

HP- What have been your highs and lows in your career thus far?

CD- The highs have always been the applause at the end of a track performed, the lows would be finding out that the applause was actually for the sixer Sachin hit on the big screen just besides the stage at Jazz by the Bay in Mumbai.

HP- How would you explain your role as a jazz musician in society?

CD- A jazz musician gives people a nicer high than some other interesting social highs.

HP- Define jazz.

CD- Jazz is improvised music. Sometimes structured, sometimes orchestrated, sometimes free of form and almost always, spontaneously created.

HP- Notable gigs/performances.

CD- The world reknowned Hennessey XO jazz tour has always been featuring jazz artistes signed by the American Blue Note label. Last year for the first time a jazz band outside the label, from far away India, was selected for this prestigious international tour. I was the bassplayer for that band. An unforgettable experience for sure. More recently my indo-jazz fusion band ‘The Brown Indian Band’ has been approached to open for Sting’s European tour this year. Fingers are crossed about that one.

HP- Collaborations with other musicians.

CD- I am contineously collaborating with musicians from all over the world thanks to the internet and my website http://www.hullocheck.com

HP- I understand you have been into different genres of music and worked with various ensembles. Tell us more.

CD- As I mentioned it before, when it comes to music I want it ALL. Name the genre and chances are, i’ve been there. You’ll find traces of just about every genre in my own music. There are very few musicians in the world today, who would match the number of bands and musicians I have worked with.

HP- Currently performing at…

CD- I currently perform on two resident contracts in Mumbai at the JW Marriott hotel in the afternoons and the Taj Lands End hotel in the nights. I also take timeoff from these two gigs to perform at concerts and corporate events in India and abroad. So that averages some sixty gigs a month!

HP- Your hobbies/interests…

CD- My main hobby and interest is my profession today. Everyone else works for a living, I play for mine. Someone once told me ‘All play and no work makes…makes me tick!’ Seriously though, I am very keen on improving the plight of most goan musicians in Goa. I was one sometime ago so I should know the raw deal most of them get. My plan is to set up Jazz Goa as an umbrella organisation for not just jazz but all the other immense artistic talent in Goa. To start with my studio in Sangolda will record and produce deserving artistes. Jazz Goa will then launch the best from there at a global level. Jazz Goa has already produced four audio CD’s and a DVD that is available in Goa exclusively at Vibes Music in Margao and online at http://www.jazzgoa.com



By: Jazz Goa

Choosing a Jazz Band for Your Party

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In many years of arranging jazz bands for all sorts of events I am struck by the similarity of how the request is made by most of our clients.

It goes something like this: “We are looking for a jazz band to play at our wedding / book launch / family fun day / sixtieth birthday/ store opening etc.”…”oh yes, we say, what style of jazz band ?”…”Er, not quite sure. What styles have you got?”

It was because of this exchange I felt this article would be helpful in choosing the right kind of jazz band for your party, celebration or event.

Rather than go through a history of the development of jazz from the purists angle it would be easier to list a number of types of event and match them up to styles of jazz band with a short description of the jazz band most likely to suit the occasion. Lets start with the wedding.

You are most likely to want a jazz band at your wedding at two points in the days proceedings.

The reception. You and your partner have just left the church and your guests are nearly back at the place you have chosen for the celebrations. What better way than to have them met by a jazz band.

As champagne and Pimms is handed out the band just adds a perfect happy backdrop to the moment. There are two main types of jazz band that can suit the moment:

A Dixieland band or a swing band.

Dixieland Jazz. This is jazz from the early twenties. The musicians will happily dress up in stripy blazers or waistcoats and play lovely old jaunty tunes from that era such as “When the Saints Come Marching In” “The Charleston” “Bill Bailey Won’t You Please Come Home” and “Five Foot Two Eyes Of Blue”. The instrumentation is usually banjo, sousaphone (a tuba that you can wear) and a frontline instrument or two such as trumpet, sax or trombone. The band is mobile and acoustic and can move around the site entertaining guests in different locations. Artists associated with the genre include Louis Armstrong, Bix Beiderbecke and Fats Waller.

Swing Jazz. Names of musicians associated with this style of jazz band are Glen Miller, Benny Goodman, Duke Ellington and Count Basie. The music is mainly from the late thirties and early forties and is very melodic. Ella Fitzgerald started her career at this time in Harlem and had great success with the Chick Webb band. The jazz band will probably play lots of tunes from Broadway Shows from the time such as “Funny Valentine” “It Had To Be You” “Making Whoopee” “ It Don`t Mean A Thing If It Ain`t Got That Swing”. This jazz band can be acoustic but will probably include an electric piano, which the musicians will supply along with a speaker. They will need a power supply and logistics of this must be taken into consideration when choosing the jazz band. Are your guests near a power supply, is the reception indoors or outdoors, how does the weather
forecast look? Finally, how big should the jazz band be? For both styles a trio or quartet will be fine.

After the Wedding Breakfast. Your guests have sat through a gargantuan meal, fine wines and various speeches including a slightly embarrassing one from the best man! They are ready to stretch their legs, use the loos, have a cigarette and carry on chatting to old friends who they may have not seen for some time. They are not yet ready to dance. Your jazz band should know this and should be playing suitable accessible tunes in an unobtrusive way. You don`t want a modern jazz band at this point. Known variously as Be-Bop, Modern Jazz, West Coast and played by such artists as John Coltrane, Charlie Parker and Dizzy Gillespie, this is music for the concert hall or jazz club. You want sophisticated smoky tunes, maybe with some vocals such as “Let there be love” “The Girl From Ipanema” “My Baby Just Cares For Me”. Artists associated with this kind of jazz include Stan Getz, Billie Holiday and Nat King Cole. Maybe also think about some Rat Pack tunes that the likes of Frank Sinatra and Dean Martin performed.

Music for dancing. If you are set on having a jazz band for the dancing ask your jazz band how many styles of jazz and swing can they perform. A jazz band that plays swing tune after swing tune all night is going to lose the attention of your guests. Variety is the key. I would suggest a mix of Latin, Jump Jive, swing, old style Rhythm and Blues and even Funky jazz bordering on Soul. Not many jazz bands can handle this variety. Ask at the point of booking what the jazz band proposes to play at this point. Do they have a suitable vocalist/vocalists? Can they play segue (one song after another) to keep guests on the floor.

My opinion based on many years playing for such parties is this. However much you love Jazz, Swing, call it what you will, at some point in the proceedings some one will want to dance to some classic soul or rock and roll. It is inevitable, it always happens. I see it week in and week out, year in and year out. When I have been employed as a trombonist to play in another bandleaders band at such an occasion it saddens me that the bandleader has not made provision for such an eventuality. It results in unhappy clients and frustrated revelers. Please take note if you want a full dance floor!

Next we come to the corporate reception. This manifests itself in many guises. It could be a jazz band for a book launch, a jazz band for a thank you drinks party, a jazz band for a reception prior to going into dinner. Last year an insurance company asked me for a number of jazz bands that could play for the giving out of its employers bonuses! We had never seen such happy parties and not a drop of alcohol in site!

Think what is being asked of the jazz band in question. The band is being asked to reflect something of the company, a sense of fun or sophistication for the event. Attention needs to be focused on how you want the band to dress. Tuxedos? Lounge Suits? Are your guests networking or being thanked for their year’s business? Most bands that get asked to do this type of work need to be impeccably dressed and have a sense of the occasion. They need to appreciate that guests are there not just to listen to them but for all sorts of
other reasons. A quiet background Dinner Jazz band lends just the right tone to this type of engagement. Loud enough to create a mood but not to drown out what maybe very important and lucrative conversations! The style of music will be Bossa Nova, light swing and Lounge. In my experience a quartet or quintet is a perfect size band. Vocals are unnecessary and can distract your guests.

Store openings. Every year we open or reopen a number of supermarkets, computer shop outlets, video and dvd stores all over the country. The jazz band has always been a visual and audible part of the promotion. The jazz band in question tends to be a Dixieland trio or quartet. They are perfect being, as we read above, acoustic and mobile. The music is optimistic and uplifting and with a sense of fun. The jazz band dresses in stripy outfits, which help create the right mood for the day.

Corporate Entertainment. This is a large term and covers anything from Henley, Ascot, Car Racing days, as well as themed events in spectacular settings. The Dixieland band is perfect for the almost period feel of Henley and the swing band works just as effectively. Think “Dixieland jazz band” for happy, spirited, fun image. “Swing jazz band for a more sophisticated, laid back and chilled vibe. Do you want your guests to dance? This can be quite rare. Decision makers tend not to break into a frenzied bop half way through the afternoon! However if family members have been invited this is quite common. A Latin Jazz band can be very effective in this situation and it is difficult to ignore the infectious beats.

A note of caution. Is your event for a number of dignitaries and celebrities? If so they will not want to be photographed by the jazz band or even talked to by the jazz band. You need a band with a certain discretion or, dare I say, a certain blasé` approach to the world of celebrity. As a musician I come across stars of stage and screen, royalty, politicians, public figures and minor soap stars every month and I think it is appreciated when they are given a certain amount of space and not ogled. Use a jazz band who are used to playing for such audiences. They need to be sociable, articulate, smartly turned out and not fazed when approached by a familiar face!

Time for a recap:
1. Choose the jazz band from the perspective of what is required from them. Do you want background music or do you want to dance?

2. How many guests do you have? Is the band the right size? Is it dressed correctly?

3. Is the band outside? Do you have access to power? Can they play acoustically if need be?

4. What tunes can they play? Ask them for a repertoire list, do you recognize the . titles?

5. Are they professionals? This may seem obvious but there are many musicians out there who have retired from full time work or are in between jobs and are making their hobby a source of income. How long have they worked as professionals? Who have they played with in the past? What experience do they have in performing for the type of event you are having?

6. Ask for a sample cd. What is their publicity like? You need to be confident that you are getting a reliable professional outfit that will turn up in plenty of time, look the part, be totally co-operative to your needs and play suitable music. The right jazz band can make your party, the wrong one can spoil it to some lesser or greater degree.

7. Are they flexible? You do not want to find out half way through a dance that the band you have booked can only play one style of jazz. Ask them when you are considering booking them. Can they play some Classic Soul? Can they do some Latin tunes? Don’t be fobbed off with “We do a bit of everything” Ask them for a repertoire list.

8. Discuss a rider with the band. Are you supplying refreshments for the jazz band? Although not expected refreshments are very much appreciated especially if the band is on site for a while with no access to food and drink. If it is not convenient don’t worry. If the jazz band knows in advance they can make their own arrangements.

9. Have you articulated to the band what type of music you want to hear? Don’t worry if you are not knowledgeable about jazz. Tell the jazz bandleader or agent the tunes you like and the artists you like. This will give the leader/agent an excellent idea of which bands to recommend. Look through your cd collection for ideas; ask friends and family for suggestions. When the jazz band turns up it will be properly briefed and able to give the performance you wanted.

By: J Williams

Jazz – Unlikely Inventor of Electric Guitar

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When you think of electric guitars, you envision rock and roll, heavy metal, and screaming punk bands. These genres depend heavily on the amplification and special effects that this sort of guitar provides. It is natural to assume that the inventor of electric guitar would be a rock and roller or a metal head, but an unlikely player in the game, jazz, actually contributed heavily to the development of the modern day electric guitar.

Early Concepts

The 1930’s and 1940’s, the big band era was in full swing. Jazz orchestras were increasing in size, and the powerful bass sections were simply drowning out guitarists, who were an integral part of the ensemble. Inventors and guitar makers experimented with attaching microphones to guitars, but the excess noise created by the player’s hands and the rest of the body were distracting and not pleasing to the ears. Bandleaders and guitarists saw a pressing need to amplify the sounds of the guitar in order to make it a more obvious presence on the bandstand.

Early Hollow Electrics

Just one person cannot be credited as the inventor of electric guitar, and the credit is therefore generally bestowed upon the entire genre of jazz, which created a need and practical use for it. The first electric guitars were basically designed from hollow acoustic guitar bodies and featured an electromagnetic transducer attachment. A documented performance using an electric guitar took place in 1932, the earliest appearance of anything of its kind. A recording would be made just six years later in 1938 featuring guitarist George Barnes, and 15 days after Barnes’ recording was made, young Eddie Durham made another that went on to become famous.

Early Solid Body Electrics

The more commonly known solid body electric guitar started to appear in 1931. It is rumored that a version of it may have been available in stores in the early 1930’s, but the instrument did not take off with great success. Guitar giant Fender became the first company to commercially manufacture an electric guitar and sell it with a great deal of success.

Early Electric Guitarists

Charlie Christian is often heralded as the very first true electric guitarist. He developed many techniques and best practices for the instrument, and he applied them in his career as a jazz guitarist. His work contributed to the transition of jazz from the big band era into cool jazz, bebop, and modern styles. The foundation he laid made it possible for people like Les Paul, B.B. King, and Jimi Hendrix to transform musical styles and create new avenues for the electric guitar.

Since its early concepts, the electric guitar has gone on to penetrate all genres of music. Elements from the electric guitar are now applied to amplify acoustic electric instruments as well, such as violins, classical guitars, and mandolins. A great number of special effects and distortions can add to the diverse offerings that electronics can give musicians, and it is all thanks to jazz – the unlikely inventor of electric guitars.

By: David Smithe